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FROM THE LIBRARY OF

REV. LOUIS FITZGERALD BENSON, D, D

BEQUEATHED BY HIM TO

THE LIBRARY OF

PRINCETON THEOLOGICAL SEMINARY

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'CONTAIN1N G, $^ I. The RULES of VOCAL MUSIC, in a concife and plain Manner.

* II. A large and choice Colleai on of PSALM TUNES, ANTHEMS, &c, proper for Divine Worfhip ; many ef which (jjBjf are entirely new. ?/\YV

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The whole compiled for the Ufe of SCHOOLS and SINGING SOCIETIES.

w 'Tis thine, fweet Power, to raifc the thought fublime, Cue 11 each rude paifion, and the Lent refine ;

Soft arc thy ft rain ^ as Gabriel** gentleft 'tring, Calm as the breathing zephyrs of the fpring.

tme SIXTH EDITION, altered, corrected and revised, with ADDITIONS,

by OLIVER HOLDEN.

putiiiOjcD aaocDing; to 'Hit cf arongrefc.

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d»S3&»£»£&

Printed, Typographically, at BOSTON, bt ISAIAH THOMAS and EBENE'7ER T. ANDREWS.

Sold by them at Fatift'g Statue, No. 45, Newbury-Street ; by faid Thomas, ia Worccfrr ; by Thomas, Andrews W Pknnimak, Albany ,• by Thomas, Andrews iy Butler, Baltimore ; and by the Booksellers in Town and Country.— — Au^-:fl, 1797.

PRiCt— 87-5 CTS. RETAIL, AND 9 DOLS. PER »OZ.

ADVERTISEMENT to this SIXTH (and much improved) Edition.

THE Subfcriber informs his mafic al friends, who have fo liberal/y encouraged the Jive former Editions cf the T center Collection, that he has controlled with Mr. Oliver Holden, who is intcrejled m the work, to compile end correct the prefent and future editions, which he prcfumes will be pUafing to its patrons.

Several complaints having been made of the prolixity of the Introduction to the former editions, it has been thought advife- cble toJJjorten andfimplify the rules for learners. And as all agree that no fchocl can make pleafing prcgrefs without an able Teacher, many obfcrvaiions 'and explanations are omitted, which more properly belong to a Mujical Treat if e*

Perfuaded that the work will be conducted fo as fo meet the approbation of judges, and fubferve the interefls cf Sacre* Mufic — and foliating a continuance of former favors and patronage, I am the Publick's obliged fervant,

ISAIAH THOMAS.

August, 1797.

'

* Thofe who wifh to make themfcives mafters cf the Rules of Compofition, and of the Theoretical and Practical Elements of Sacred Vocal Mufic, ire invited to ftudy the Majfachnfetts Compiler, lately puLli.'hed, which may be had t>f tlic Piimers of this work.

RUDIMENTS of MUSIC.

Bafs {lave.

LESSON I.

Tenor and Treble flave.

o

Counter flave.

AFTER the fcholar has become familiar with his letters, as they are affixed to the feveral lines and fpaces on the flave, he may proceed to call the notes by the names of the letters which they represent, beginning and ending at G, repeating them up and down, alternately, until he can recite them readily without! the book. In the next place it will be necefiary to fing them by the names of the letters, obferving at the fame time that between B and C, and between E and F, is but one degree or half a tone.

N. B. This lejfon is if great importance to the beginner, and Jhould be underjlood as the foundation of all muftcal knowledge and impr ovements.

LESSON H. WHERE there ace no flats nor fliarps, me is in B.

But if B be flat, me is in E.

If B and E be flat, me is in A. If B, E and A be flat, me is in D. If B,E,AandDbe flat, me is in G.

F. C.

If F be fharp, me is in

If F and C be (harp, me is in

If F, C and G be fharp, me is in G.

If F, C, G and D be fharp, me is in D.

Above me, the notes afcending are, faw, fol, law, faw fol, law ; below, defcending, are law, fol, faw, law, fol, faw ; and then me recurs either way.

Obferve, that the femi-tones arc always found between me and

faw, and law and faw.

LESSON

1/

Notes.— £j

Xefts. — -

:.. |m

Dcinlfcmiquavrr.

a_.

THE notes and refts thus arranged, explain, aL one view, the proportion they lx:ar to each other-, the iff being twice as long as the 2d, the 2d twice as long as the 3d, the 3d twice as long as the 4th, &c — The rc-it-s are called notes of (Hence ; whenever they occur in a tune, the performer is to reft as long as he would be foundicg the note it reprefents.

N. B. According to ancient tradition, the femibrevc rej} Jills a bar in all mi o-U.

LESSON TV.

; *~IS five lines and their fpaces, calculated to 'ZZZZT. contain the twelve different founds or de-

*— grees in mufic.

Js added when notes afcend or defceud be- yond the limits of the ll.ive.

A Have

k IcdecT line

o

A. b

Shew . how many parts move together.

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- that as many as are tied together Ked notes , - to ori fyllabie.

Tenor Treble

and cliff

Counter cliff

Bafs cliff

The cliff is the firft character affixed to a tunc. It is conf.dered as the key to open the leak of chara&ers, andTully determines their import. If the cliff be moved from its ufual place (which in fomc inftances it is) it tranfpofes the whole ftave,by carrying the f letter it naturally tends on with it. In gen- eral tl.2 tc.ior and treble cliff Hand on G ; the counter on C ; and the bafs on F.

A flat

t

OCJ- In this collection the G cliff is moftly ufed in all the upper parts, being molt con- venient in vocal muf;c. Set before a note, ferves to lower the (bund

cne degree, or femi-tone. Set before a note, ferves to raiie the found one degree.

X. B. Both flats and frarps fet at the beginning of a tune, have th* above influence through the tune, iinlefs contradicled by the inter- vention of a natural.

Reftores a note made flat or fharp to its primitive. found.

Directs the performer to fmg the fame word or (train twice.

At the end of a (train, direct die performer back to a repeat, leaving the no e figure 2 uniting the tuft time, notfj

A fharp &

A natural

un.

A -hold ' rr>

A mark of diftin<f/tion

Figure

A point "A ilur A direcl

A b ■

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utider figure i unhung the laft time, unlefs both figures are connected together whh a ilur, in which cafe both fliould be fung the lall time.

Gives the performer liberty to continue the ! (bund of the note, to which it refers, be- yond its common length- (£/* The in- fluence of this character, if rightly man- aged, is very pleafing. Whenever it oc- curs, the fchool or choir fliould difcon- tinue beating time, dwelling fweetly on the found, until the mafter refumes the time in its proper order.

Directs the performer to fing and pronounce the note to which it points, emphatically.

Diminifhes the three • notes to which it is affixed to the time of two.

Adds to a note at the right of which it ftands, one half of its original length.

Directs the performer to fing all the notes

which it includes to one fyilable. At the end of a ftave, fnews where the firft note ftands in the fucceeding ftave.

Divides the time into equal parts.

•.nvnon method of (larring is fupeifluous and inconvenient ; it is tfiere-

dsfcontinucd where the notes ;ire tied together. And whore a chain of tied

include a fucceeding note in tke i'ame Syllable, a fhert flat U ufed iv con-

A double bar-

Shews the end of a ft rain.'-

A clofe •f-ff Is affixed toihe end of a tune.

Are fmall notes which fhare the time with

Apoggkuras -♦p- the fucceeding or principal note, according IZjZI to the length and fituation of the principal.

LESSON V,

COMMON TIME MOODS. — THIS mood is the flowed now in ufe. Crotchets Firft., J^ are performed, in the time of one fecond to eacl ■ — One femibreve, or its quantity in other not63 ■ refh, fills a bar, which requires four bests, tv. down, and two up? The accents fall on the firfl and third parts of the bar, "~£;This mood requires a little quicker move:. Second, ft| The fame quantity of notes and refts fills a bar. It — *-~ is beat and accented like the firft, excepting when the tune is principally cempofed of mini:];- crotchets, in which cafe the method of perform it with two beats in a bar is to be preferred. — "This mood requires a quicker movement than the Third, f^£ lafl, having but two beats in a bar ; one beat down, — - and tme up-. The fame number of notes, cr reffo

reouived to each bar. The accents fall On the firft and third parts of the barjWi prifl . ■' the firft,

FeUftK,

Fourth,

Firft,

X Tills moott requires a ft il I quicker movement, hav- ing but one minim, or its quantity of other notes,

-*- in a bar, which are beat and accented like the ljft, only one third quicker.

TRIPLE TIME MOODS.

•q; THIS is the fioweft movement in triple time. Three | •^r minims fill a bar, which requires three motions of | — the hand, two down, and one up. Minims, in ! this mood, fhould be performed in the fame time as crotchets in the firft mood of common time. The accents fall on the firft part of the bar.

£ Contains three crotchets in a bar — beat and accent- +{» ed like the firft — about one third part quicker.

2F Contains three quavers in a bar — beat and accent- ed like the fecond — nearly one third quicker.

COMFOUND TIME MOODS.

7=; THIS mood contains 6 crotchets in a bar, of two *? equal beats, three down, and th-.ce up. Each n-.o- -^ tion requires one fecond of time. It is accented principally on the firft and fourth parts of the bar.

75 Contains fix quavers in a bar — beat and accented oecond, rY 2ike the luft — about one quarter part quicker.

ing time, the hand fhould fall in the firft, and rife in laft part of the bar, in all moods.

LESSON VI.

A KEY in mufic is the principal note or tone to which the whole piece is accommodated, on which the bafs always ends, and from which the pitch of the tune fhould be taken. There are but two keys in mufic, viz. the major and the minor. The major key is " adapted to exprefs the cheerful paffion, and the minor is ex- preffive of the folemn and pathetic."

To determine the key of a tune, find the laft note of the bafs, and if the 3d above contain 4 femi-tones it is major, if but 3, it is minor. See the following examples.

Ex. 1. Ex. 2. Ex. 3. Ex. 4.

Major Key. Minor Key. Minor Kty. Major Key.

Second,

Third,

Firft,

faw fol law. law ir>e fj'.v. la.vmcfaw. (awfol

2 2 2 1 2 1 2 2

The cyphers under the notes fhew the diftance of each from the preceding, i. e. from C to D, and from D to E, in the lft ex. are two femi-tones each, which conftitute the major 3d. But E being flatted in the 2d ex. the 3d is reduced one degree, which makes the minor 3d. In the qd ex. from B to C is but one femi- tone, of confequence the 3d is minor ; but in the 4th ex. C is (harped, which adds one degree to its original diftance from the key note, and is conftituted the major 3d. Thus the octave is fubjeeted to a continual change at the pleafure of the compofer, the ftate of which fhould be comprehended by the pupil, in orJ.er to perform with fatisfaction to himfelf and pleafure to them v. i.o hear.

Obferve,

Vi!

Obferve, that whatever letter the me is tranfpofed to, the fame rule is to be obferved in determining the key, as in the foregoing examples ; and as long as the prefent mode of fol-faw-ing exifts, the major key may be knowR by the name of faw next above me, and the minor by law next below me.

N- B. The jirjl note in each example is the key note.

A THOROUGH knowledge of the preceding leffbns is indif- penfably neceffary ; the attainment of them will fufficiently qualify the pupil for practice. In the next place he may proceed to fome plain tune, on the major key. Teachers of mufic fhould take great care in the hrft fetting out, that their fcholars contract no difagreeable habits ; becaufe much of their future proficiency and manner of performance, depends on the nrft impreffions. Performing by the words fhould not be introduced until the fchool has attained to a juft notion of time and found, and can read any tune by note and letter, without embarraffment.

Every performer fhould have that part affigned to him which he can perform with the greateft eafe •, otherwife the performance will be unnatural, and confequently unpleafing ; and no performer fnould ling a fo!o, or any other ftrain which belongs to a different part, without particular defire. One voice on a high part, general- ly Requires two or three on the bafs, i. e. a fchool or choir fhould have more than one half the voices en the bafs. Where this is not practicable, a bafs viol would he of great fervice, if the perfon who ufea it is thorough in the knowledge of the instrument.

Of PRONUNCIATION.

GOOD pronunciation is one. of the firft and principal beauties of finging. The mouth fhould be opened freely, but not wide ; either extreme would deftroy a good tone, and prevent juft ex- prelfion. Many fingers who read and fpeak tolerably well, are extremely erroneous in their manner of pronouncing fome par- ticular words, when they are fet to mufic j for inllance, the words reafon, hearken, token, &c. which have but one accent, are often fung rea-zen, heark-en, io-hen, which is very difagreeable and im- proper. Words which end in pie, ble, &c. are often falfely ac- cented on the laft fyllable, which renders them thus, pel, bel, Sec. Words ending in y, with a few exceptions, fhould be pronounced as ending in e, or fhort i. The / fhould be filent in walk, talk, calm, &c. In fine, the bed direction which can be given is this ; let every word be fung distinctly, fmoothly, and gracefully, every way conformably to the belt rules of (peaking.

Of ACCENT. ACCENT is another very important part of mufic, which is mfeparably connected with good pronunciation : It is properly an agreeable fwell or force of the voice ; but it is often erroneous- ly ;v plied to the notes, more like marks of diftinction than other- wife. If the poetry be good, and the mufic well adapted to it, the accents will fail on thofe parts of the bars, in the different moods of time, which are pointed out in the fifth leffon ; but where the mufic does not coincide with the proper en.phafis of the words, it fhould give way, or bend to the words. Nothing

is

is more common than falfe accenting, the principal cccafion of y Inch is harfh or loud finging. Many fingers make two accents On one note, more particularly on a pointed note in binary time, h immediately precedes a fugc or repeat, which they break pjQFwith fuch violence, as is truly ihocking to a delicate, ear. This i ijudicioijs practice effectually tends to prevent fft and. graceful . and renders jhe mod pleafing compofitiuns difguftful to tlic audience. Were it poffible for a performer of common tafte, to hear himfelf at a diilance, thus violate the niceft rules of har- monv, he would not be guilty of it a iecond time. A pointed note which nils three fourth; of a bar, notwithstanding it includes two bar accents, cannot confidently receive but one. A lcmi- breve O^ould be (truck/.//, gently "fwelled to the centre, and di- minifhed to the end. A number of long notes, driven through bars, ihould be founded full and fmooth to the end. A chain of notes fhomld be fung fft, keening the lips and teeth apart until the flur is nniihed.

Of TIM E.

IN beating time, great, care is necefiary that the hand do not influence the voice, by creating mifplaccd accents, which is al- i m it an univerfal error. To prevent this, avoid all violent mo- tion ; the lead motion of the hand er finger is Sufficient to pre- serve time. No (train fhould be fung any alter in the quickeil .mood of time, than will admit cf plain, diftinft pronunciation. )>v hurrying a piece of mufic, performers are apt to fir.^r hmfb and Wteven ; in eonfequencc of which, the beauty of the fubject is ob- scured, an! confufion introduced. Hence we learn that the fubjcc,~t ?»d occafiou ihould govern the r.-.cvement.

Of SYNCOPATION.

IT is very difficult to do juftice to the compofuion where rr are driven through bars, and otherwife interfere with the natural courfe of time and accent, without an able inftruftor. The com- mon practice is very injudicious and erroneous. In the 3d mood of common time, where a minim Hands between two crotchets, it is common to perform them like four crotchets, which deftreyi the intention of the author, and grcatlv injures the words; partic- ularly -where the firft crotchet and (peceeding minim are ilurred together, they fhcuidbe lung as fmooth as peffibie, in order to pre- vent a iecond accent on the word or fyllable to which they are a- dapted. The fame precaution is nccciTary in all moods of time wherever an inftance of this kind occurs.

Of SOFT SINGING.

IN a fehocl, or choir, where foft mufic is fuccefsfully incul- cated, it would be difficult for an attentive obferver to point out many imperfections. Soft mufic is always accompanied with graceful motion, juft exprelTon, proper accent, and captivating harmony. On the ether hand, harfli fmging is attended with cenvuifive motion, bad pronunciation, misapplied accent, and a difgultful jarring. rl he latter is too juft a description of the prefent mode of finging, cccafioned in a great ineafurc by a mif- t.iken idea, which many entertain, that good mufic confiits prin- cipally in Gnging loud; but juft th.c reverfe of this is the cafe. In performing fortes anc\ forti/fimof, the voice fhculd not be ex- tended beyond its natural elevation; in performing pianos the voice lhou|d be reduced to as fmaU a degree of found, as will juft

admit

IX

admit of intelligible pronunciation; and in all common drains, a i medium fhould "be conftantly obferved, neither lo faint, as to [ dwindle into indifference, nor fo loud as to admit of a fingle harfh tone- Such a practice, if once adopted and purfued, will not fail to arreft the attention and gain the approbation of every adequate jud^e of mufic A reform in thefe particulars muft begin with teachers of mufic; hence the great importance of employing fuch indruclors, as will, by their example as well as precept, in- culcate foft, fmooth, and graceful finging. Solos fhould be fung foft, hi</h notes clear, but not loud. In finging counter, great attention is neceffary, that every note be touched foft, and fmooth, otherwife the counter will predominate, which is very mconfiftent with the principles of mufic.

Of DIRECTORY TERMS. A STRICT and conftant adherence to the terms, ntscferah, vivace, forte, piano, Sec. will add greatly to the beauty of the per- formance, and are of as great importance as any other characters «n mufic. No one, it is prefumed, will difpute the neceffity of fuch terms as are occasionally placed over the mufic ; yet fingers in general are fo regardlefs of them, that the effect they are in- tended to produce on the audience, is entirely loft. When the term moderato occurs, the drain fhould be performed at leaft one third part flower. The fame difference Ibould -be obferved in ail

other term?, particularly in pinna. The furprifing good effect of fuch a method, if once properly adhered to, will be feen by the attention it will command in every audience.

Of GRACES and ORNAMENTS.

THE trill, notes of tranfition, &c. have not been attended to in the preceding rules ; it being much better to omit, than at- tempt them in young fchools. The mod important graces and ornaments of mufic, are natural aceompilfhments ; it is therefore impoffible to acquire them mechanically, fo as to add to the real beauty of the mufic. Upon the whole, let every note be fung as it (lands, without affecting any airs, or fuppofed graceful varia- tions. The greateft ornament in finging, is a decent, modeft de- portment, and a heart deeply impreffed with a due reverence for the name and worfhip of that infinitely exalted Being, to whom wc owe our exiftence, and every blelhng, and to whofe praife we fhould ever tune our voices.

PARTICULAR REMARKS.

IN tunes of four parts in fcore, the parts are thus arranged ;— ■ id, the bafs — 2d, the tenor — 3d, the counter — and 4th, the treble. In tunes of three parts, the middle part is confidered as the airr wkere it is not expreficd otherwife iu the beginning of the ftavc(

MUSICAL

M U S I C A L t E R M S, explained.

HWI

jHiDAGIO, theflowefl movement.

ment. juhl as allegro. Andante, the $d degree cf movement ; dflir.clly. Andantino, juicier than Andante.

. the lowtjl part in harmony. Binary rime, t<wo equal motions in ei bar, Choro Grande, grand chorus. Con Dolce, with fweetnefs. Con Furia, with bohhtefs. Crtfccndo or Cres. hicreafing or fuelling. l)\ Capo, clofe with the \fi>f 'Jlrain.

• Diminuendo or Dim. to diminifh the found.

Duetto, two parts fung together.

Expreflivo, expreffively.

Forte or Voi.flrong and loud.

Fortiflimo or Fortis. louder than Forte.

Fuge, ;V a compofition where the parts fall in one after another.

Grave, flow and folemn.

Largo, the fecond dtgree of movement.

LarghettO, not fo flow as Largo..

Maefiofoj with majefly.

Moderato or Nod. flower than the ufual time of that mood.

Mezza Voce, or M«, Pia. between Forte and Fiona*

Piano or Fli.fft.

PianiiTimo or Pianis. very f oft.

i Plaiative, mournfully.

Spirituofo, or Con. SpiritO, with life andfpirit.

Solo, one part alone.

Tacit, to befilent.

Tranfition, fliding gracefully, or foftenir.g the roughnefs of a hap.

Trio, three parts.

Triple, afpeciet of time, of three parts in a bar,

Unifon, two or more voices on one found.

Vigorofo, with energy and vigor.

Vivace, in a hveljftilc.

Volti, turn over.

THE

Worcefter Colleaion of SACRED HARMONY.

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Dr.ARNE.

Moderate.

Participation, C. M. Words by Dr. Watts.

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HANDEL.

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Worcefter New. Continued.

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Grace ! Tis a fweet; a .'h.um.ng

noblcft labour ~tf thine hands ; The '^k^T^^^^t^^^1^^ "i^^^fc^trtrZ

peaung ju(tie of hi% eyes Outflunes thT wonders ofthe fries' ZSZ — I i— 7-=^ l-H T_i-l-^= -^ * "'"*' •"S a lwcct» a char,

Af»t?iO!-.»l€.

16 Worcejler New. Continued.

rp' J p3E EiSS^S zz^zz: :z^z: :zz-Ez: E=jz :=E=zz±zlEi:-?E "ji |"p f p { P*>" iFP

therm., My thoughts rejoice at Jefus" Dame! O may I

Ye angels dwell upon the found, Ye heaves reflect it to the ground.

_Q f% »

O may I live to reach the

y/ith lift ani Spirit.

fjplate, Where he unvcile his lovely face! Where ail hit hcauties you Lchold, And Grig his nam--, Aii3 fing his name to harp* of gold.

New Concord. CM. Words -by Dr. Witts. : From the Union' Harmony. 17 f\\&!TJ< r"'i I ZZZtp_L~.II \z~ ' I \T~' 1~~~T ) ~ I 1 ( ~ ZlZjIZi tlxtzZlZ" ZZfZI Z. Z. ~j •_■ j -» r *■* j"""""""]

DeareHof all the names above, My Jcfus--___ my. Cot?, "•'Who can refift thy htav'i.ly love, 6r tilf e with tl y bloci; ? 'Tic by rbe mrrits of thy death, The

pZ_Z_KLp_Z_Z-_Z — IZp-Z_j~"~p_pIZ — 221- I3l± — zpz.-zpzzizpzLTzpi.z jpipp.- px — ZJ3 1 — ZI t ~~j

1

0» £~\

ESH^iiilllE^^

Father Unites again; ' .Tis By. thine i interceding I breath, The Spirit dwells with men, The Spirat dwells with men.

-S_Ej_5T_r^rFp^^

IZZlJ&Z

z~4zzzjzz:]:z-zgzzPzfz-z3z^^

. 8 Derby. P. M". ' Words bv Dr. Watts.

ingiiigiiigigiilii

..Lord of the w.irlds above,Ho*' nlcafar.t .-^r.d how fair,Thc dwellings of thy love,ThyeaTthly temples are; To thine abode My heart afpires* With warm defirt«To ft envy God.

Tirtrrpg«o.

Brailford- CM. Words by Dr. Watts.

BENSON.

pa — prfc±3£pf:

/tf)r 4^jig4tfj^pqF^p»f » TP Iff Hal Jl— ptfft«|Pll

^~N -V

Why fhould the jhildrcn of a king, Go mourning all their days? Gicnt Comforter, deicend and bring^ome token of thy grace.

■S:

m&m&wMw^mmwmm^w

fsIii-JEi§llliilfE^isfiP^iiiiiiiliii

Immanuel. C. M.

Words by Dr. Watts.

3Jnion Harmony. lg

Hofamu to the Prince of light, Who cloath'd himfelf in clay : Who burfi: the iron gatesof death,Andtore the bars away.

Death

™f'

~C-£

l=JE*i^

— «

=±3b3i

•?■?

L-^TT^p^^g^t^^^^^^^a

4__

3 more the king of dread, Since our Immanuel rofe: He took the tyrant's fting away, And fpoil'dour hellifh foe, And ipoil'd our hellifh fo:s.

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— #

'iU. LINGS.

20 Kiltery. G. M. words a&*

; hv kingdom come, thy wiH be d-...i i lui

]..:,.(.r ..*■.- 11. fn..\cr. urt, Ah . kiitdwed l>c thv p;i

3—

-=§-:ifcgg#-=g

EiEliiSill|gigIllili=liiil

jjj I hy1c.a^i!>n come :hv M

1-1 I. f

I hvli-ardaa: co<v.( ix dbne Throughout t

Thy kingdom, &c. ~i— TT-H-

Our

r--i"

will be diQc Thi . is earthly

Thy kingekun. come, tLy wilt b»doae Throughout thu earthly frame.

H — — — r — I ■ * 1 — 1 Pt — r- " — r~»H — — rr-" — H — f--, x — : — <*• — — —v-"

1 ^..o .a 'in art,AU r.;i;r.-.', '1 hy kingdom cojnt, &c.

— B ri r t 1 «--y--i"i 1 1 r — c P~p-

' WLO if- "

Ddomfday. S. M, • Wfc&'AwiA

:|lliI|gl|lglEil=giiiilllllii

WOOD,

21

Behold with

_ ______ _ , ( § __(~ 1 *.— C3 _ ■ f< _,

T"n' A • i wm^' fiilimfa t'lP

2

j==i==ipe|=|E^^

Th'Arch - cr.gcl

founds the

dpeadfay trump, And, &c,

Th'Arch - anget found? the dreadful- frump, And" wakes the gen'fal doonu

EE=£

founds the dreadful trump, And, &c. ■

And, f;c.

dreacuul

trump, ADd, dec

And,: Sic .

£2

Amherfl. P. M. Words by tffce and Brady

lillllliiii^liiliiiilgg

BILLINGS.

-©-+-=

i=SS

Juji. "y — j 0- — P—T~p — p~T~0~TTp — P — P'~T~^~"^^"^~T"'Q~T~P~:1>' — ^~T~r~P~r~r* — E~l

Ye bcundlefs realms of joy, Exalt your Maker's fame ; Kis praile your fongs em-

P^feHTjTT HH p p-f-i-g.1 f cf fr'-l-fJUs

ggrEgEgEgEllg^gEp^EIEg^EI^^EpE^Eg

| Above ' ihrry frame: Your voices rr.ife, Ye cherubi

lil"iliillllliliil:

3—~—£z~<-

:p

And feraphirp, To fing 'his praife.

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*5F

Annapolis. CM. Words by Dr. Watts. READ. 23

:^--;z?±zzzzz±zzz

Your pjoi

SEE

Awake ye faints: to praife your king,' your fweeteft

^zzzzztzziz:

j-t_-B._ji w_ e — iw_e— __

3r 0+ F-fP-p^-

— e-

EE'zSziZIZ:

"2r":

Z3sr:

:: :j:i^t:iIEgiZ5^^z~zi^zIrgrgzpz:

pailions raife ;

gi^Eilil=iil=Sg|illl

Your pious pleafure while you

• L.

Your pious pleafure while you fing, Increafina

^TT^E^^

pleafure while you fing, lacseaftng with the praife, Your- pious pleafure while you ling, (ucreafuig with the praife.

— £ 1 — ^~S — btj~S-

Your pious pleafure while you fing, Increafing with the praife, In - crc:if - ing with the praife,

p3E*3EE=f5^

fing, In - creating with the praife, Your pious pleafure while you (ing, Increafing with the praife.

^ *-, , z£z£z£z|!L. __»._»._-._'*"_ . „ L. a

jzjzrgzqrzzrzo | zzqxzz jz:|::pr[iz^- pz^n^zpzp^^f ^pzzzy rzTzrzjirr rprz: jz:^rgr^|is3x:

i with the

Your pious pleafure while you ling, In - crcaf - Wg

*4

Bethkhcm. C. M. Wor4* by Tate ft Brady.

"BILLING.-..

;:fepfg*gfl=j!|:feefg

1351

LL_^^

EC

SP

. ihcpher Is watr-l dtne;i lioclts by

■ The anjtl erf the Lord came d.wn, Anl glory ilionc jund, angel of the

Ifhone r.rojnd. :s-. 2 lie angtl of the Lord cspe down, Aj»d glory "■flionc a - rou -

* T'c -»ng<J of ^thc Lord carat down, And gi&ry lhue.^c . - m-uubcI. The

*I'I... >.«J ~ .• »U- T «»jI v..w-» . ,t .,..n A,- I nl/NP,. W,*r,,. 11^,4 .vLjLf.vr fl«A«« ^ _ Mil _

The angel of ihz Lord cusudown, And glory ihonc, And gkwy fli

Bethlehem. -'Continued.

25

z3z?.z — Yf-X-P—o—p—f—'- tzfiTf:rf:TF:g~£'

lord came down, And.glory fhone, v~- 1 *"

nd, And

^Efe|EEIE|SF3ziE:

glo — . ij, And

lound.

Angel of the Lord came down,

glo - ry, Ariii £lory fhone

Chefler. L. M. Words ^ ^JS^

BILLINGS.

iiiiliiSiliiiiijiligiiiiiiiiiiiii

Bi

p~pn^

giiiiiiiiii]

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P:t:B:

"^--H [-

3?||EFeEP^EJ

"f~-*~ T pf-p

IZIOZ

Let the high heav'ns your fongs invite, Thofe fpacious fields of brilliant light, Where fun, and moon, and planets roll, And liars that glow from pole to pole.

f^&£

1^ZT^tW.-gXZT

pg

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P—--WT&-

l: -js- -paar i£Rjd" ~dd — ' "" JPTt \~P~? ft -W-'-Z-E ' "~trfrF" tw£~~*: ™ add- bziix

-En

D

33115

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26

Nezuport.

L. M..

Words by Dr. Watts.

-TT-f-H -f — [-F rF-r t -,-,-+• H - ft— I — — ; — i — 1[ — ! — ~Jt~P~pF f I rTT 111 rn I i ~*

I I feud the joys of earth away, Away ye tempters of the roind,Falfe as trie fmoolh deceitful fea,And empty as the whittling wind.Your dreams v, ere floating

' f: ? zrzpz =z: :z5 jzSzfr pifidzlzEztrr: i=:T^F^F4"' "'TT f f ""P"" '*ck~**H z§:55

'pFT~^~ff~r~T-f-s— g-g^T-J^ — f* P~"~PT~P~~P"1 — r — P""^"^ — ff~TrPr^"^"PTTrOTl~l~

long Down to the gulf d(S.. black defpair, And. while I li.len'd to yo*ur fong, Your ftreams had e'en convey'd me there.

a |zrpriii_|_4J_p.-ia — crr:.i:__: _-J:±— aft p ■■ ' ''■ I "r">~U"-L^F -<--F — P-1-—3J-

l;g@l

pzi — i — l>t— LI — -^ w-x 1 — U — P-x zti-X-i — hji x p_ 1 — J i—

Bangor. C. M.

Words by Dr. Watt,-.

27

Teach me the meafure of my days, Thou maker of my frame, I would furvey lifers narrow fpace, And learn how frail I am

Colchejler New. CM. words by Dr. wans.

iiliiSpililili^iiiiiglliiSpiili^

My never ceafing fongs fhall mow The mercy of the Lord.And make fucceeding ages know How faithful is thy word.

-*---■ — r~r- r*-S

z^i:zztz:nzEzLZzz:r.zzz:iz~zizzz:i:z-tztzz

2r^

^-T— -T'S— &

— e-

i^^5^^^^^^^^^^^^^^^^^^^^^pi"^E

ia=g9-iH=F

:.8

S'WAtf.

Bnjlol. L. M; Words' by Addifon

iPiipipigiilliilSpiliiilii^lili

I he iofty pillars vi rr.c iky, And fpacious concave rais'ci en higlr, Spaagjeff with fears a fiiin - ing fr;.-

w_n — i«^-j — 1 — • — J— ! — *-i-| — i*~| — |_j |_x| — ^_l_._|_-l_ — i^. —

•^~~7~j^~g' izzjEzJEz Jziii T^P"s~~"fPJf" "F| ~

-ZEZJI

."X^-Pi.^ TgrEztzfi: itz~~L

j itZZt " lL__«.i_2[_plp A /lit

'1 funweart'd, i<rc-

j TH-, 'i ."itir yu ■■• O - ' rif^ - i - Dal proclaim.

Th aawcari'd fun from day to day, Pours knowledge en hia

-»•

&•

Th'unwcari'd, &c.

Wlgliiiiii^lEliEllii^

•Th'u:iv.'c.n''i, &c

<*

BriJloL Continued .

29

ZMT^Z-ZZ

■rt-f-r?-

^-—t:

And, &c.

rr=±=:

E

golden

And

pub - lifh

— I f F 1 1 i ( 1—— : p- 1-5

~r *\ — I *- — r~i — * — " —

to ev

land, The work, of au almighty hand.

/f^i, C. M. Words by Dr. Watts, ' WILLIAMS.

^53Jr

:_£±i — i_i_p_L:f_t-|_

30

#

— »-j

*-TCj

:ES:|Ep=p:JE=g=tE^|EFEEEf2:

Bltft morning, whofe young dawning rays Beheld the Soi> cf~ God Arife triumphant from the grave, Ana leave the dark abode.

4

3°

Britannia. C. M.

Words Anon.

Harmonia Sacra.

3£»

Thou great and facrcd Lord -of aL', Of life the only fpring, Cre - a - tor of unniaaber'd woriiis, Iir..-.;iiii"cly glorioui

g^Bwm^£££r i -1-4*0141/ rnrrr^

=F' p * P P

;izj

tr. <C>

4=

t'Ctlf ff [ Jlfottft% »/ fXf-'"J'J J J l^^ffigf^

iipliiilHiPlSii

/r. f?»

fi?

tf

cj— — — r-

King ; Whofe image fl.akes the ftagg'rirg ir.ind, Beyond conception high, Crew r.'d with omnipotence, and veil'd With dark « - ttrni - ty.

,,\t CufCpffi1 Jiff MiffrfiJJ J J.TTPTTTTTi

H ■] l i FtT7^^

Cafvdiy. C. w i = 7 ~- wwr*;- read. 31

My tho'ts that often mount the ftics, &c.

I ::3:i:|~?E=E|E?Epz+E^Ec^r|rtE EpE fziEEEEzzEE:: :bEFfr:|zHE^=|f i±==5==: EzzEE EpEj-

■\yTir fkn't? f Ik-it* .-,(",•,■»-. A-i-iiinfr *Vto A-Cx-^ /"!•-. ftnt-^k fjw *T« n *• s* V. fka **rST.*-]A T- ..t-w.-i * K ■ H7fi^»-.-,

My tho'ts that often mount the (kits, Go fearch, Go fcarch the world beneath ;

^Z X 3_ZL_^_ _^ZP-X_|T_| £_L f. p._x

:zzoz:

My tho'ts that olt - en mount the flties, Go

Where

fcarch, &c,

&c. Where natu

ns—r — x t~x?-£ T~P~ar-^ — r~ r~iPT"^'i?"~*"~?:"i z "T — r~z — rf,"~£~'£:~&T £-

£fc:g|— :cz^=±rpzpzp^:^ppz^ppg»:zp J-iL£JL: ::^^EZEdzdzzg:ip=Eztz =tp r rzcrt

My tho'ts that oft - en mount the ikies, Go fcarch the world. Go fcarch, &c. Where nature all in ruin lies, Where

Where nature all in

S~\

H3E

Where, &c. nature all, Where nature all in ruin lies, And

.J*xzp_.»._ ~i:p — cxijiia:^jiEtL_c::_p_e_xd_J" rot z|3E£Ed?te

tztxz^Zj^TZ^l£±z?-

owns,

And

owns,

And

OWI.S

her fov'reiga death.

r -^ ^ ^\ S^ -* i i*

ruin l;es, Where, &c. ^- ^ „ ^- ■ ^ , 2

EtEfbdzzHzfr^

_P-__p_cx_L — pzc. p.x.i 1 pi ' LZlC |_I_„C_LZ_XJ pxL_I_J □ X \Z—i,F:_\ — n — g -lit

_p_p_|z_pJ-_iz_z _ Z .x £_p_£;x zzi:z__[zi_ — u-px-j — ZiT:^.z.iZi_.±iz_^-il-t_t::::12ia-QJl_.

T\^f 11 r^ all in nun li^c in .\rc

nature all in ruin lies, in, &c.

3Q

_ji_-«-_ S— -I— — Ij— ZZj — LZjlXlp — J I — — Ztt— i —

Charkjlown. CM. Words by Dr. Watts.

HEAD.

T- — -5-

P'l P f r ffTf 1 n* pTTTTT

»~3M- Ml ',' "■" H*~~

When God rcvcal'd his gracious came, Ami chang'd ' my mournful ftate,

"TrTj'pTyFff^Tjp

_CL

cr

±::=t±

iililx^Sililillliilili

2

. My rapture

My rapture l'etm'd a plcafing dream.The

My rapture feem'd a plcafing dream, The grace appear'd Co great, &a

=i=i=P

/ceni'd a p'cafing dream, The grace appear'd fo

grace appear'd fo great, &a

P" P T If f t^iHtP-M f A-ff r I n " H ',f

flream,

m

.My rapture 'feem'd

pleating dream, Ilie grace appear'd \o great-

i

HEizHElE

?~JE

!!ll

liiiiiiiliiigi

grace appear'd fc grcar, My, &c.

great, fee.

9- — P P-

-:-r-f-r-Tz\x-=+

e

a

3|^P||

Greenwich. L. M. -Words l.y Dr. Walts.- READ.

33

/^~N

J^IHSitgS|i5fp:el:SFi0-^&t-te-Tlip;

G-fi

Lord what a thot'lefs wretch was I, .x"o mourn .and murmur and repine, 'T*» fee the wkVed ptae'd on high, In pride and robes otlvonour fiiiiie.

\jT^\ But,

But, O theii «?;:'' licir

. Bur, O tl»'

ireadful..<r;d,Thy .fa»£h:ary taught mc fo.; On flipp'ry rocks I fee them (tend, Am ) I . 4—1 r— r*~-r--f +--— -t~j r-l i--f— F- | I j f . __4„_ .

But, O the-.r end thnr dreadful..<r;d,Thy fa»'£h:ary taught mc f o ; On flipp'ry rocks I fee them (tend, An-dS'ry billows roll below.

sfflE

! -•

\Be<: • O their en .', their dreadful <ead, Thy fondusry taught me fo ; On flipp'ry rocks I-fce theriotandrAnd fi'rv billow* roll below.

O their end, their dreadful ea&Thy fa&cfcuary taught . xne lo ; On flipp'ry rocks 1 fee them Hand, And fi'ry

billows roll below.

IJgil^^g^^^^^ffiff^^S^a

|;dreadrij ! rod, Thy fanftu

ry taught xne fo; .Sec

34

_ .

EBSON.

(Ireenf'tld. P. M. Words by Dr. \V, I _ _<■■> _ _ T"_h __i r \ •• "T-P ■ - # p ■ (■ ~~ — — - l i y . i | 0-1 , \ ~ T i 0 EL _t^ .0 a _ £3 \ T, F^ * ~~i*

t:

Cod is our refuge in diftrcfs, A prcfent help when dangers prefs, In him undaunted we'll con - fide ;

\f fi r

Though

e— T|__i_ izz " — i -y-p— T-y-^ t — Jzpizg-C: — iz ___i --_-!_-_.-_:-_: j

1 hough

Ihough earth were from her

Though earth were from her centre toft, And mountains in, &.:

____,>_*_*____-._*_*_ _ _ *_£_._d:£

^firrff^tf h .10 rH*f T 1* : P'Ttf if*fr

Though earth were from her centre toft, And mountains in thff ocean loft, Torn piece-meal !>y the roaring tide.

"ff_i._K_0.jri _i:»._- »_»— "^iff-ff-ff-^-i--. — i _*.i_p_Q_ip__i_ s_«._ i_ — :iizi:3D__:

fl!Bfct_g=lfrffl_^

c.-irth wt re from her centre toft, And mountains in the ocean loft, 'I c.rn, &e. lorn, &c

I centre toft, And mountain* in the

loft, Torn, fltc.

J Of dan. C. M. Words by Dr. Watts. UiX^JullN

BILLINGS. 35

:£z::i:jdt:Q:

" iirts immortal reism : Infinite day excludes the night, And pleafures banifh pAn

There is a land of pure delight, Where faints immortal reign ; Infinite

:±a

1'iano. " Forte.

ij Sv/cct^fieUs beyond the fuelling fined, .Stand dr<?fe'd in living green : So to the Jews old Cana'n flood, Wbile Jifjrdan roll'd between.

• — Pr — ^T?r^^TFr^-f&pTl~r-pTprrM:-TP-Px--^T^ H t hr — ^»tP-»Pt=s^— ! — fo~H t— -i-

36

Mdnchejlcr. E. M. w*& Anon.

Pla.

billings:

!■) gz-z^Z-zzz :\'"^S.TTTn zjtz;:4zz ZT^^^-^z—xzxz^rji^i-^^To^z^^zgxzzrT^T/JJ rdjizzczi ;

Lit the flu "ill Uwpct'a r?;.->Llx voice, Make rocks and Mils his praise rcbound,Praifc hiir. with hep's mtlodlci's i>j:fc. And r.. : ' fJver fou:

$1 •'zcfpzii&izzbEzzpxzi p|=: :±|EEzzz:r Ed%±p

._ M ;■■-, £L_ 1 B

Let vLro:u. trcops foft timbrels l>r.:ig, Ami foinc with graceful motion tla.ru: c ;

f zz — t — « — I — ■»■ — 1 — ■■*■• — : : — « — 1 — - — -j

I.tr iruTrL'Tnents

of

::ci.'- Brings, With organs

...- »-,»-*• **-

-4-U»-»4

a^^r^s^si^

Manchyler. ' ■ Continued.'

Of

.1 O J

z

_-,t_al_J__T- B-- -* S~- £--,«• » -i £~- : .-3- *-4-*l P---1-1-* .2-'

With- crgans jpin'd liis praifc' advance, With, £.c.

Ezftlj*

:~nrr^":r~~fT.y:f~~^~r|''r"?T"[.'rrrr: zzzzz: 'Zzzzz: prTT" _: - ■ y-f-F- — pt } f |t . | f "f^Tl^l VL

4-P

\ IjoirAl his praife sd - v;«tce, With ©fgans join'd his ptaife .id - tance, With, organs jouiSfhts praife advance.] a

ki _ With organs _ lom'd" With, &c. „ ^ ~_ a* _ ■■ •- , ,

zfizzz*:T-tzz:£TZ-—?:i:?„z-zJt-—^ zzf-f:zzz±i - zyzzzzf- Z\ \—\Z P-X-6 — pi_u_S_43 riTZ^ig (_-&_£_4-_:3_£«M-* — g-^gX-tI.IZ| PT-4- ^j—.1?-.?.-- £_:*:--

=_— F+-' — --f-p— P ^-h-p-1-i — L-t-"| — ^-F-.^- j^j^^^-i-h-ff j x;- [--}— — ^1 -y "4-h--f

-t — ' — —

his praife advance,' Wi;h organs jc..iM nis

praifc, ic:c

Naples. L. M

T^ords by' Dr. Watts.

READ.

^__ Lppt~l — 21*^2£tq — l;-PPt — tpxZE X lup 1 ppr^vJT-t -P^P-^ J --~_.u_.J_

/^ — •< ■ <~N -ball nvortah ice. ^ More, &c. f ffi ■ <b ~~~^ l z

Shall the vile- race of fiefh an-', blood Contend With tl.ctr Creator God ? Shall mortal worms prefwmc to be Ml

__5_^Er3Ei£_S___c_3_^H^^|Ep^r_S§ =

Shall nioita!, &e. More, &c.

Shall mortal worms prefume to be More holy, wife or ju': than fee.

I 2

P

_P r i :r;.- p__ &£

More, &c

Words by Dr. Watts.

EDSON.

38 Zenax. P. M.

Ye tribes of Adim j' in, With heav'n and earth and fcas, And offer notes divine To your Creator'* praife.

S

1 »

holy throng of angeli bright, In worlds of

light, &c.

Ye holy throng ol angels bright, In worlds of light Begin the

Ye throflg ol at, Yc, &c.

[_.j 71 I: f~ j 1 1 ' 1 1 1 T^ ' ' * Ht ' » 1 1 1 j "" IZSvZji-^-l*-

• h i> hoi; throng uf mgels brig'..:. In worldi of light, &c

BILLINGS. "g

Maryland. S. M". Words by Dr. Watts-.-

And

"•*/ T" I [~ [~ '. I_jZ_L_. '.Z t_t_tlt -ft— I '

And muft this body die, This. mortal frame decay ? And muftthefe active limbs of mine Lie mould ring, in the clay ?

see:e~

WEDD

rcrpitq

And mud thefe adtive

muft thefe aclive hmbs of mine Lie mould'ring in the

izjD±zzzwr.

:roz

clay,. ' Lie mould' -ring in the clay, Lie mo'.ild'ring in the clay

TDD

■ -•

And muft thefe active limbs of mine Lie mould'ring in the clay,. Lie mould'ring in :he clay*

And muft thefe adlive limbs of mine Lie mould'ring ii> the clay, Lie

-0—

raould'rin£ in the clay.

the

limbs of mine Lie mould'ring in the clay,

And muft thefe adtive limbs of mine, Lie, <kc.

i I » ■ r ___ * ^__ — ' i - i _jl.J|JI

STEPHENSON.

go Tlrird Pf aim Tunc. CM. w«ra»iiy Dr,w«

j; With rev.rraee let the laicts appear, With. rev'rencekt the Guntsapp

I; ith rer'reace i - ;r. •

^=*»—

iSSHlea

the feiots appear, And he-*- before Ahe Lojd ; — i 1

Ahe Lotd ; I IU

5£: sfcrf: irr^azi £ rJFH

;h eomm»

"I!: hi^h rosur.&ndf with

gly-*^*"* H •,[—tr|J..|,r I ■ ' it"1 ) [• r "I "{J f{ I*}1 In { l^x

With rev're.icc let $e Liur; appear, . With rev"rcnce let <he faints appear, th? uiats appear,

' With i/.'ru'.c. let the iz^.'i ap/near, With rc\'rt~ce let the faints appear, --jxKndi w>ch rev'renc<

I -±r are t — *~t*-»-^"

I zffifc tt\\ ::p±E:: :t±5

ii; h;£h conwiiuiis «itli ret rer>rt iv$i$rl,t highcxmmindiv.-il\\ rev'resre hear. And tremble at his word.Ard tremble a: '.iu word, Aad tremble a? In J vjrj.

*»r?l P'» 'I p-.flff fffrfrf' ler I h' .1 « lf*ffr a- f I P.ft't c-r ie7T5ir

:ifflj.l r. f [p |f[[|l J I .jfrff p| - |i. tTTplfftrg I | rf | rf^PPfe

hie,!-. ce>tr.m.--ivJs with reVreocc hcarjTlij hij;h cornnianch with r*.v'rctscchcar,

-9^

And tremble at tdswtrd, A~i J treaiblc et his word.

;~gvrH — ^—Ez&iE

p;jz— 3-Zli.

rfv'rcncc bear,

Ff?PFrt--'JiTTrTF

tut,

I

11 . ! .J.., Ii.s, &.-.

And trer.Jb'c at his wvrv!,

e-p

@&

Artu tremble at his word, And t,- crablt 3t his word.

And tremble at his wortl.

Ar.<l BCTifele at h;s « ^rd, Aid trvmtii.- at Lis »ocd

• St'HeUen's. P.M. < words iyr>r, watts. "WILLIAMS. 41

1 # — r^p— |--*-'-r~~*"

— * — F-

*-

-V , u[ 1 „ mm Cj i y 1 1 , jj^ ■y-mfr 11 I — rf ■ a pt _ I 1 Li ' ■ ii. 1 mii |^ f^ , . I 1 -11 ■■ t —■ «^_ 1 1

piiii

"Ye that delight to ferve the Lordj The honour* of his came record, His facred same for - ever

^±±±

S

E^Ppj^Egil^f

^^fcgE&Dz$pd^Epgr^:J^32Ei=S3

**l # I ^ ■•W"*- t ~ 1" ' w — t — *^ I "~t 1 — *T"~~~ ~~ J ***" "~" i — [ ~|~~ 7

blefs ; Where* 'er the circling -Sua difplajs iHie ■- riling 'beams or fetting tfys, Let lands and feas his pow'r confefs.

F

-

STEPHENSON.

3£3

*-

4 2 MUford. C. Ml Words Anon.

If angels frag a Saviour's birth, If angels fung, &c.

r*-

3*:3^

^TTTfmTtf~r i rf Mrrir rrnrTna

[fcmgck fung a Saviour's • birth, • If angels, &c,

if' angels fung. a Saviour'*, Saviour's birth, On fkat -js/bkious mora,

if" anjels fung' i I ^»iour's uirthj ■ If ■ angels, &c.

jlllbfcrrir rr"^aJEpffTFri ^ J i r rrn rrrf,j

We will maj iauV

IDII

h:M r i* ■

Ve well may iaiuaii -th-.-»r uakth,

._67

Now he again i; born, Now he again is born.

fre well may inii - t.tre t!«eir mirth, Now he again is

^l^g^ggggfEEg|^gg£|gg|g|g;

bjir.,

Now he agitia, Now ho again m bora.

1

±^ppi:j=:)Z:_~_:±:f;:p:|=:::±zt=rtttrr±zz ±z_z ±_™z=_r-t^PPt±-— rpp±pzz±rz itzixlr

veil m*y imitate their mirth, -We well mav imitate their mirth, Now he again i6 born,

p m~?~f~ <£~ p» . 'T-P-+ T r»" ~*~T P ^ — *

tale their mirth, V,'t well,

Now he agaua is born, Now he again h bora.

Thirty Fourth Pfabn. 'CM. v words by Tate & : Brady. .STEPHENSON. 4;

I •&=J^^^E^zE^^^^p^p±|:

zzxz^rgzTEzEz |zr Kzpzzzr |

IFfae Draifcs cf my Go<l fliall

-B— — : ^^^F^ j~^]^~ «zz=|z=z^z=j|zfz:f=^z^=

Through all the changing . feeD<s of .life, '- In • trouble and in joy,

The ■ praifes of my

i^lg||Si^llgiii^liiipiIl=^iiIg

-.&-

zB-ffrr^

5TZZZI

-TM

The praifes of my God {hall (till, The

tz^z^zzzzsz:

, & .The praifes of my God fl.ail

ffill,

ftill The praifes of my God fhail ftill My hear", My heart and

ftill The praiics of my God {hall ftill My hear", My heart

: Ef4zEz3 IzzzzBIzzr

^zfzBz-

-x-e-

-^-r-e-2-,

God, , The. praifes of my God lhall ftill My

heart

aDd tongue employ, Mvtieart and tongue em - P^°7C

praifes of my God {hail ftill,

EEEBZfef"

44 WoTCeJler, C. W. Words by Dr. Wattsr. WOOD.'

Who Dri.rg- falvation on their taofuc«,-Ai>d word: of peace reveal, Who brlag fklvat'»a oa their tongues,

Who itand on Zion*6 hui

SSSI

w

EessstssisiiSsigg

How-beauctousare thtir fcerr

t—i

■fr— =*

glffff^ffgN

pgiiHiipiiilgai^?ii:

^^ri-NfrrrirTwr-tirrrfrn^ • t - 'v^

And word* of peace rtveaL How -charming, chariuing is their -vuicc < How fvrett the odtngt are!

Zion be-

^sS^^^sfe^^Ei^^^^(^=^=S^^^^

Zion behold tby Saviour

EflEi-^BBpSm f PTTrrfr "irHPir rr?

Zion bckcld thy Saviour Kicg, I -

fflorcefter. Continued. 45

Zi'oa behold thy Saviour King, He reigns an i- triumphs here, ' 2ion, &c, ■

hold thy Saviour King, He reigns and triumphs here, He reignj ' and triumphs here', Zion behold thy Saviotir Kin^, He rtigns and triumphs here.

ft^btl f^y-y-yT-0— 1-|-—

SHHl

[King, He reigns and triumphs here, Zion behold thy Saviour King, He reigns and triumphs here

||g|§g|g|f£|g?|

1--J-1

dSE^H*

trinmnhn hprp. 7.inn hphnlrl thv fisvw^tr V inor W*» Jta. »^

triumphs here, Zion behold thy Saviour King, He, &c.

Lebanon, CM:

Words by Dr. Watts,

2E

"imm

-©H-:

BILLINGS,

n— ixz:

*~e-+e-

Lord what is man, poor- feeble man, Born of the earth at firft ? His life a fhadow, light and vain, Still halting to the duft.

E£

__T_-, ,»_

EiE

liill

v«y ^

^— -L . ^ - ""^1 1

40

' WalpOle. -CM. ■ Words by Dr. Watts. [ \V O QI>

1^3^^ig^E^pP=|EPggiPpggggEP^l^Ep

Oh, if n\y foul was . fonn'd for , woe, > How would I vent my figbs' Repentance

TiTT-iTTTTTTTTi f r i- ° if .f J i j^nr-pi

EP=-i^F

-f~r-f~?~-f~*?y+H5-r-t- P-' *-t

^p^fpTjff r "\"\a Jjzj-rhVifrTf.fi

ihould.li!ce rivers flow, From both my ftrcrrri - mg eyet Twas for my 6ns my denreft Lord Hung on the rurfed tree,

i w—m-

r <■ r f i-

E^m^

T'

^

*

g

gliieiililiiSililiii^giiiiilillii

Walpole* Continued.

I And

For thee, For thee, &c.

■■ffifl-r- ■■ f

rt_gj^__^g-ii^ri^^-^^^j=fe^ai

ert>a

n'd a - -way a

dying life, For thee, my foul, * for thee, For thee, ruy foul, for thee,

.^, , _ — „ .- __._-__.gt_. __C-i. __

For Jhee, my foul, For thee, &<;. ^

Lltttk MarlborOUgk. 5. M. • Worthy T>r. Watts, WILLIAMS,

c^Ef'fiiEl^E zrit_IEjEj:359r ::_Ef:Il£E"x~iE?iEE3:E

i^F

Welcom?-, fweet day cf reft, That few the Lord arife 5 • Welcome* to this reviving-: breafc, And thde r^-jokinc i eyes.

^^_fa_^^_ ^,|f._- ^^4y4t-rghU

-XI"

jgfTi >T f£fgBg#fi

/-8

St. Michael's. P. M.

SS

Words by Tate & Brady.

HANDELL.

Wsm^s^&m^^mmg^imM:

Illiiiii^r^ilSgiiSi^^iii^iii

O praife ye the Lord, Prepare your glad Toice, Hi* praife in the great Af . - fembly to finj> : In

*~

e —

f—pz

Baa

3:

w^smmmmm

TTTf

&

P— &

^ffi^^S^^Scli

g as-

.1 L_lji

i' I 1 I-— ~ ~ — r—~—

-r—e-

«-e

© — e

fc

X

f^?

I — r

■e^-

E

our great C;e - a - -tpr Let Ifr'd .rejoice, And children of Zion £e £tad i» their King

mmr * r j^zgTrTHS

— j

rfff|f rT |rr» |" r|r riff rUff r1'!-'^

Virginia, C. M. Words Anon.

BR OWNS ON. 49

^e_zi:!

zrzrt-ibEH^

Thy words the raging winds cor.tiol,Aiid rule the boill'rcnis detp,Thou mak ft the flceping bBlows ro!!, The ro ling billows fleep, The rolling billows fletp.

i x

" — -yyl-X — jffAllfTSZ-X II^s--- — il—^eCSI—C 4»*_ZlZuZQIa~£--^sr- j*g>i-M i+

ESespfefi

z£±t:?

a

=fcffl

cjD^_^_r.

rp±!iz:Tz-i|EaE6~3p{iffrTzrpz~Tz;:~zld.

_ Norwich. S. M.

:zfE±t=^-^J"4-iiir5^t±^zrfe^3z

Words by Dr. Watts.

I 2

^ibbEH:EEESi^rFSEEfe^3^lo J f zz:ftbbbti:bit±3±£Lp:^pp±t£:p§J±l_iz

Hrz^izx^tztzt:

My forrov.s like a flood Impatient of relbraifit,

P--r-r*-^Tr5-TT^T-^T-P-^-Tp^T^--T 1 Tr*PM"IJWiPFr T~T^T^Fp-tQ-~^T^-1-

fT£: :P:e- e+jp- --p-ptlf- _-p-iP— : — - — fT"F""*Tr i Pi F~ ~FF|fPPpT®i Mf- i MH ~PiP "1 IT

i^|:_4-_.:»ze:«.: : jz JL.LjlL-4_._e> » » : xdz j: :«• =ijL_.p:.__: .l _:bp: .z^z^iiEEu.ptzn-3-!- ta^M^'f^ ~\

Into thy bofom, O, Into thy bofom,0 my Got), Pour out a long complaint.

Into thy bofom, O, Into thy bofom, O my God,

. Q. Into thy bofom, O my God

50 Stafford. S. M. Words by Dr. Watts.. READ.

5^

See what

living ftone, Tlic builders did rcfufc,

— I Yet

^ it God h?.th built his

jEEjziojCTrfTTT " 1 - r ifrf r 1 i'-fr ' p'j^es^

FetC__

1 ■ v~. /--«J u~.L u..:i. l:- _i 1. -1

Yet God hath built his church there-

Vet tlod h»th built his church, &c.

5Pr a ]jnut&t i '" lt m

: be—'— • 1-

hath built his

-^FiTl^faE

~~ — — — T~TP — ~

church

llzzf-LL r_#£fc=

church, "1

thereon, In fpi

:azir~

- te of

envious J- v.

_^i_^_.e_zz:

S p_ \ s n • f__~ ; -| -)r - I_C_iz A_p_I ". r~~ f~ "[ _ I '_p »_ H* ; q p ; i-~lt— "

%. -t God hath built hie, &c

Paris. L. M.

Words by Dr. Watts.

j — T©

/~>

BILLINGS. 51

gzs: — :pp(ilp5:pp:ppii:_:ip:_::?i: — p:t_.p_pi_t!i:p:plC:fp:px:t>:u:Fi-iF:P:-:±t:-:i-:-±:--^J-

,;v*^-T

zip

Tl

P

'zj-rzd

ppe±J:T=P±z|EZi§i:s:p:sT§^cg:pT^: H— i — — —t-ztzizxip^ipibiiijifc^ t™1

Tliis fgacious eai th is all the Lord's, And men, and worms, and beafts, and birds ; He rais'd the building on the feas, And gave it tor a dwelling plac^.

irzr^^zi^L-RG

gijssafcg

Suffolk. L. M. Words by Dr. Watts. BILLINGS.

i4zpjz£tp£-p_j — j — zztppzip-i, ttizriH^-u-tt^ fzfix tjpzlps fqptp.p_ap^L_t_3 -

iifc an

Fife

-I— — u

Bright. King of glo - ry, dreadful God, Our fpirits bow before thy feat,To thee we iifc an humble tbo't, And woHhip at thine awful feet.

L-EzeTpeppiffip^sgfz^feff^

EEESfe1

s2

i^Sffi

Montague. L. M. an

lci.rri^'irH^r# f.l^Jc

Words by Dr. Doddridge. SWAN.

> ...I flJiU

■B

u3E:Er:

^ffej

Ye fous of men with joy record.The various wooden of the Lord, And let his pow'r and Koodnefs fouad.Thro' ail your tribes the world around.

^^ ^ lit

sipiilJllgiSliiiifi^riiiiiii^SS

Let the high heav*ns your

-■^flfrrfiniIlL-LLT_cli r,jH4H^[Ul-Xt^f7rTTr T I llllLl r^MIVI

i/-M

Let the hjgh hcav'ns vourfongs invite, Hiofe fpacious fields of brilliant light. Where, &.».

Let the high hcav'ns your fongs invite, Thole fpacious fields of brilliant light.Whcrefua & n^oa & planets roll,And ftars that ?-1c\y fr cm pole to pbk.

the high hcav'ns, «c. I hole fpacious, &c. Where fun, &c. Where

\foDgi iBvitc,Thufc fpaciou^ &c Where fun and moon and planets roi! Where, &d

S^1

c S/ — ■**■ 'II "i — i i

Mortality. L. Kfe \tonh by Dr. watts. 4 READ.' 53

^Se3:

Ptttfi

-— p^izr p_pzpxz — _j — zp — i zx pi.p_p ipzp_p-pip_^-p_pi_.j-i—

yfcg- =ir

ia

BiEEg

Death like an over - flowing .ftr«m Sweeps us awayy oar Life's a dream ; An empty talc; a morning fio-.v'r, Cut down ;md wither'd in an hour

fr

Br4i:Si

5=

— r— f-P

p_p±jz:p_4i_p±p=pq!:.fxQjJ_

_LJ 4

^^^paEa^^pSE^a^^^^s

?:|^zg|:i>:^SgTggJ:^ ::q: teg : :FFEp^^ JEEIE

SIow.. Windham. L.

i_-P_-_:qzz .pxp_[:

Words by Dr. Watts.

READ.

-Q-r

Eli

Broad is the road that leads to death, And thousands wafk together there, But wifdom fliows a narrow path, With here and there a traveller.

ra:7±:Z3„±:f^^ p_£±Z3Er_:f£

-fe-7

cIJSFES^p^-^^-^

:afcj^.|rJ.L|_z=:zi:sri:i:

^"^T-^-ff-P- T~

EEito:^::§E3!Ep^

__pll- — I-Q

54

:±:tztst

Enfold. C. M.

"Words by Mrs. Rov/e.

CHANDLER.

]^^^^&Jf-f'j|Jrjj^^3r^3|jfrij4j^a

Before tfie rofy dawn of day, To thee my God I'll iing, Awake my foft and runcful lyre, Awake each charming firing ; A-

T.*3

U*--

rfMffi

odletthy flowing drains Glide thro* the micjnighi: a.r, While high amidft her lilcnt orb, The Giver moon rolls clear.

**--

- l+»r»-ff.--I_cs.T ST" t 1 J T---4 ( ,£^ ">*«au things

[=5g|pE

>-*-»-=:-

Eg

pcrr

3=|p£&

— -* — i — f— -

;©-t — Pt-»-P- —

S5x

j cone, To hear his iuftiV- »„,i *i r . P-P-PI CCIIIZlZ"i: ~]

™« tl.™, ,-c „„.,,, & .hc.;.",a!^. JV^.

rSH

Newton. S. M.

Words by Dr. Watte.

SMITH.

wc who love the Lord, And let our joys be known. .Join in a Jong wfrh fv.ect accord, And thu> iftu -e throne.

READ.

■Rujjia. L. M. Words by Dr. Watts.

i Z tiie ipen o1 high <!■- ■ grce, The

baier fort are

van - i - ty,

t^'JA^-tihJ vf j-^J ' - * f ' "~ p~~ r — . =5~ f ' Fn 'P' f~ ™cEz=z==:ez::

III Liiiiiliiilliiiiiiillliiiil

Laid la 3 lul-ncc,

RuJJia. Continued. 57

:F-

i,aid in a balance, both appear i.ight as a putt or empty sir.

in a balance, both ap - -pear Light as a puff of empty air.

Laid in a balance,

pear Light as a puff of

I in a balance, both appear .Light as a puff of

empty a.r, Light as a puff of

empty

--ff-fi-E^e-j--^.-^-^-^.^.^: — ^_ — — * y~~""l1~ — — p — ~ :-F — F — F~r— :- — P- — F- 1~-1-^ Jz_r:I f&.

both appear Light as a purf <^ .emp - .ty air, Light as a puff of empty air.

Wells. L. M.

Words by Dr. Watts.

HOLDRAD.

O-

SEffirfEEB

^

:££f|^=i!3£ild^

; jij3ili: >z£z£±gz[z:Szfe zzE jpfe

ire the great reward, And whilfi the lamp holds out to burn, The vileft fin

Life is the time to ierve the Lord.The timet'^nfure the great reward, And whilft the lamp holds out to burn, The vileft firmer may return

F£:— z^: '-a-t^-e-PT' "V-^^-H-H '■ pTs-

if

58 Hundred and Thirty Sixth Pf aim Tiine. P.M. words by Dr. watts.. DEOLPH.

7V —

^ -^ And I can truft mv Lord, To

ps^ff^gqqjCTtr?f^^ r fir; f n-r r irrfti

Haft thou not giv'n thy word, To five my foul from death ? And I can truft. And I c--n truft my Lord, To

., N And I ran truft my .Lord, Ar.d I can truft my Lord, To

_ Z-, -IpZft _»-1_rT _-, , f__T-_lS •. — „_£3 ,.__ .-.—IfL r— P-t © 1 ^ m r-»-#-lL-»-T^HCV-'-i

I/"'" - Y" II' 11 " -— IpD_~ "~ "T'J'l 1 *~ — i X_l & " j _ r*~T "j _~ f~"l |"~P p i f- I T"1 ~|- *] I }"T~rr~lL jIJ

Aiid I can truft, And 1 can truft, And I can truft my Lord, To-

| kicp niy mortal breath, I'll go anti come Near fear to tire, 111 go and come, Nor fear to die, Till £cc.l^

keep r,iy mortal breath,

III go and corae, Nor feur to die, I'll go and come, Nor icar to die, Till from ou high Thcu call me home

i

I keep nnr mortal ftfrfaib, I'll go and cor.it, Nor fear to die, Till from on high Thou call me !.o:uc

"•kn j. thy aortal : . '

irtzztzztit-izixtz^iCTctitz j t±:

I f "f :"f- ?jf-4":F-|— i -— :I:*_F:4— : -|TJ|1 [:

III go and come, Nor fear to die, 'Till frctu ou high I u*t\x call me home.

Forty Sixth P [aim Tunc. P.M. Wonbbynr.ifc* CHANDLER. 59

i3~s

XjuFffipP?f#fr£

""^-*-«

Ezfc3===i±^zft^d:€zt3cftd

He fends the lab'rins

zzzzzzzjgz^z^z^pz;:^

:*i2z]zqE3zx zr zztzE ijzzp : zz ~^zEi:ir zhirizr thzzf :izzz-zz=: zzzi^zzz tzz:zz:i:z: zzztztzzzrzh: ]

The Lord hath eyes to give the blind, The Lord fupports the finking mind,

He fends the lab'rlrig

m zz|zi|Z^_[zzL.it_|ztjz_pzjz4:±.p.^4i_c.J: r p_it_L_p pr^^-Li— i-:£..izL_P-|z -Pp

He fVn<k flip lab'riTTr ronfrienc - di ace. He fends the la!' nj :

- J f— r ~ | - -j "t —

He fends the laboring confetence peace, lit, <xc.

:^»!^znzc:rzzz.zp:rEzrf

confeience peace ; He helps the Orange* in diftrefs, The widow and the fathcrlefs, And grants the pris'ntr fwe«t releafe.

j--~* — 3_.i-_x:fz.zzzip.pzp_t_ir:_i — p-pip_c-prj-ip-p-p-^xp-^-pL.ip-jt4: — 1 s — 14 — j — m-

Cio

Sherburne. C. M.

Words by Tate & Brady.

READ.

The Iflgcl Of the Lord c.ur.c down, And While- fhephcrds watch' 1 their flocks !>y night, AU lcatcd on the ground, The anjtl of the i.urd came d(-<vi>. And glo - ry

The angel of the Lord came down, >\nd j'h'ry fhunc around, An

The angel of the Lord came dow -n, And glo ry flionc around, Ar4

::r:.=--U"

Ihoue around, And &c. 'I he, &c.

It ""jTtH — To" — rori~TZ~^**^ITTnr'ft If* ff ffrZJB^WiTf'l^T T — "PH"P * II :-' °' 1 p 1 1 i

<_LL._p__<L_£.t. H. l 2 _*l_I£ 9. p pnp_lZ_l 1. LZp_(E- . p_p_!i.^_L Li L.4: 4 . * |T J -?TF

(hone around, And glo - ry fho*e around, The angel of the Lord came down, And glory fhor.e a - round.

•~i r

D' O-.-" -~4

— - — L4 -4

glo - ry (hone around,

The, &c,

And, &c,

Victory, C. M. Words by Dr. Watts-." READ. (5i

Now fhall my head by

ut'trd hiph. Above my fots around. .e>_.°_QJL_»._ _jL_ -^--.

And fongs of joy and victory With-

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found, Within thy temples found, Within thy temples found.

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in thy temples found,

found,

' found,

Within thy 'temples' ' found.

Within thy temples found.

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found,

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found, Within thy temples foMid.

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found j

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Within thy tempi ;s

6l2 'Ljjboil. S. M. Words by Dr. Watts. READ.

Welcome to this, &c.

HHH* fP P f • 1 P-'f I "P- ' F ■

Welcome fweet day of reft, That faw the Lordaril'e,

IK .1. „ «...

Welcome to this reviving brealt, And ihcfe re - joic - ing eye*.

Welcome, &c.

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Wel-

EILLINGS.

Welcome, &c. Afrka. C. M. Words by Dr. Watts

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_#v_J _^ — *. Q "EI _o"w 1EZO _»* ___»._ __

No* i! ■ ;'; ray inward joys aril-.-, And t>urft into a loug, Almight/ love infpircs my heart, And plcafure tunes my tongue-

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GItLET. 6 |

Twenty Fifth Pf aim Tune. S. M. Words by Dr. wv is.

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I lift my foul to Cod, My:

is in • his name, Let not my focj that feck my h'ood, Still triumph in my fhatUS, Still, ckc.

TTznter. C. M.

Worcfc by Dr. Watts.

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READ. r— 1 — i — r-P— jp— yl-g j j c

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His hoary froft,-his fleecy fnow- Defcend and clothe the ground ; The liquid fireams forbear to flow, In icy fetters bound.

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Rainbow. CM. wortis by iv. « •

SWAN.

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-— ^ The fca grews c^lra at thy command, And tempefts ccafe to

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'lis by thy ftriMgththe mountain* ftand, God of eternal pow'f ;

The ,fca growi calm a', thy command, Ar.d

• "V* Th« fea», &c. -. — *— ^

I ' " The, fiu-.

. - S, I s

I ro - W, .

tempeft* ceafe to roar. _ And tejmptfh ccafe | I roar, Aod tempefts ce*fe to tva-".

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'Ninety Eighth Pfahn Tune. CM. words .by Dr. wa«s. TUKEY. 65

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Joy to the world, the Lord is coarie, Let earth receive her King, Let ev'ry heart prepare him room, And heav'n and nature fing.

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Joy to the earth, the Saviour reigns, Let men tieir fongs employ, While fields and floods, rocks, liiiis and plains, Repeat the founding joy.

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Siiffield. C. M.

Old Hundred., L. M. words by d*. watts.

M.LUTHER. 6 J

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Poland. C. M.

T© r-

, r.'ia-t:

F:fc:

Words by Br. Watts.

SWAN.

Itc&ci. jlC XI- -CXEfrL .312 3 JdXX — lied I — 1 — ;-,Xi__ufc±=- -3_a_I_o_C — XX.(_S-I <=U-i — Zi-ui — F~ d-

gently

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down, Beheld the pains I feel; But I am dumb before thy throne, Nor dare difpute thy will.

68

Words Ar.oii.

KKIBB.

Dimf.au. L. W.

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...ccs that ia nught e* - eel, Your tratcful _^ «

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loudly tell, His wond'rous pow'r to

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Otean. C. M, Words by Dr. Watts, 6$

Thy v.-orks cf g'0Ey! mighty Lord, That rrJe the boift'rcus fea.Tke fons of courage foall rf.cord,Wh'o ttmrit the dang'rous way, At thy command the

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jwinds arifr, Aiid iV/cli the tow'nng waves, And fv.-cll the tow'riag vavej,

The- men afronilh'il mount the Ikies, And fink in gaping graves.

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Words A

II.\R. Sacra.

3 Amjlcrdam. P. M.

ray foul, and ftrcteh thy wing,, rty better portion trace, Rife from tranfi - tory I..

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Sun ; -.v.i .noon u-.d fUrs decay, Time flull foon this earth remove, Rifi fe away To f.-tJ pr<par'd *

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Ccafe, fond nature, ceafe thy flriie, And let me languish into life.

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Hark, they whifper, angels fay, they whifper

72

The Dying Cfaijlian. Continued.

For. Pla.

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they wrkifper, angels f.v,

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The Dying Chrijlian. Continued.

Pia. Cres.

Cros. Pia. Cres. For.

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73

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fight, Drowns my fpixit,

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74

For.

The Dying Chrijlian. Continued,

tS.

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I^iilgiilpliP^^iiEil^iippi^g^

Lead, lend your wirj>, 1 mount, I fly; O grave where is thy victory, O grave where is thy victory, O death where is thy fling,. O

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grave where is thy victory, O death where is thy fting ? Lend> lend your wings, I mount, I fly, O grave where if thy victory, thy victory, O

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TJie Dying Chrijlian. Continued.

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75

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grave where is thy victory, thy victory, 0 death where is thy fling? O death where is thy fling r Lead.'lend your wings, I mount,

fly, O

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grave where is thy viclory, thy victory, O death,

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O death where is thy ding?

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76

Denmark. L. M.

Word; by Dr. Wati^.

Ak Mode rata.

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MADAN.

Izrl±t:±fj±±3q±

Before Jehovah's awful throne, Ye nations bow with facred joy ; Know that ;he .Lord is God a - lore, He em create, ind he deftroy,

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He can create and he deftroy.

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His fov'reign pow'r, without our aid, Made u» of day, and form' J us ACQ, And when like wacd'ring fheep wc

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77

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ftray'd. He brought us to his fold again. He brought u» to his fold again

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Well croud thy gat' s with thankful fongs, High- as the heav'ns our

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voices raife, And eirth, and earth, -with hrer ten thoofand, thoufand tongues.Shalt 1511 thy courts with founding praifc.Shall fill thy courts with founding praife, Shall

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78

Denmark. Continued.

fill, flail fill thy courts with founding prailc. Wide, Wide as the world is thy command, Vaft as e - ter-ni-ty, e - tcr - ni - ty thy love, Firm as a rock thy

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ffiuft Hand, When rolling years lhaU ceafe to move, Xliall ceafe to move, When roiling years fliall ceafe to move, When roii -- trig years fliall ceafe to more.

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Funeral Hymn. C M.

Moderate , — -x

Word" bV Dr.WatK.

A'M T R I C AN H A R M 0 N Y . <7 Q

--— — %. Piano.

Why dj «

{hake at death's

mourn de - part - ing friends, Or

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larms -! 'Tis but the voie'e that '

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Je - Pis fends, 'Tis but the voice that Jefus fends, 'Ti> but the voice that • Jems fends, To tall them- to hi? arm?.

?-:

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So

Eafler Anthem.

Words by Dr. Young.

BILLINGS.

TV

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Hal - le - lujah, The Lord u rit'n indeed, Hal - Ic ■

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The Ivord M risia indeed

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Now is Chrift rifen from the

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Anthcm. Continued. 8 1

~| r~ \2 I ZC X f_ C CI i * fZ p.*."a"i '!_ ~f~ ~"j~ ~ , T ___

dead, And become the fir ft frui'.s of them that flcpt. Hal - le - iu - jah,

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Hal - ie - lu - jah, '

Halle - lujah,

Forte.

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and did he

3

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And did he rife, did he rife, Hear O yc nations,

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82

Anthem. Continued.

17 f p f 1 pJpEgJT fir \.r t^"^7^^*^^? 1 f f *v 1 r f I f f EJj

He rofe, he rofe, Ht burft the bars cf death, ** ^ ^

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^=^g|zgr| ---_ | y^f-jry?!- _ i -i ' rr'ttTrrfrfcf r*r \ tZ ti

■ic.r it, O ye dead,

He hurft the bars of

He rofe, he rofe, He bur ft the bars^jf death, "

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And triumph'J o*or the grave. Then, thai, ti.rn I r^fe, then I rofe, then I

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Anthem. Continued.

i

83

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rofe, then firft ha - man - i - ty tri - umphant part the cryftal ports of

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light, and

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Man 2II immortal hail, hail, heaven all lavifh of ftrang«

84

Anthem. Continued.

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Thine all the g'ljry' I*ari t'-- b»andlefi bills.

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Thine alJ the glory, man's the boundlefs biil

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Leverett Street. CM. v. as Anon. LANE.

Lever ett Street. C. M.

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HotJiam. P. M. Words Anon.

KIABANV 85

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Jefus, lover of my foul, Let mc t

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Jefus, lover of my foul, I.-et mc to thy bofom fly, While the nearer waters roll, While the tempeft ftill is nigh. Hide me, O my

59

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1 Saviour hide, Till the ftorm of life is pad, Safe into the haven guide, O receive, O receive, O receive my foul at laft.

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86

fin! -*T

MADAN.

Habakkllk. L. M. Words Anon.

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Away, my un - be - lieving fear ! Fear fliaii in mc no more take place ; My Saviour doth not yet appear, He hides the brightnefs

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of his face: But {hall I therefore let him go, And bafely to the tempter yield? No, in the ftrength of Jvfus, no! I never will give up my

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Habakkuk. Continued.

87

a^ilfej«=Efea

fhield, Altho' the vine its fruit deny, Altljo' the olive yield no oil, The with'ring fig-tree droop and die, The field illude the tiller's

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toil, The empty flail no herd afford, And perifh all the bleating race ; Yet will I triumph iu the Lord, The Cod of my falvation praife,

=«_j r_

:tz:d:fc±d±^tfcl

83

Viya<

Berkeley. CM. Words by Dr. Wattt.

KIMBALL.

|||gggE^|^=ii|fer:

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Come, let us join our cheerful fongs, With angels round the throne ; Ten thoufand thoufa&d arc their tongues, But all their joys are one. Wor-

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n'iy tl.e L »mb that dj d, they cry, To be exalted thus; Worthy the Lamb, our lips re - ply, Fur he was fl a Li for us.

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Magdalen Ode, words Anon.

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MAD AN. 89

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Grateful notes of numbers bring, While Jehovah's praifc we fmg, Holy, holy, holy .Lord, Be thy glorious name ador'd. Men on earth and faints above,

\zz

Forte.

Pia.

&BSE

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Men on earth and faints above,

ill

t~^ ■: I.Tf7q!-+fJy o \rrmE&E=

Men on earth and

izbzppiEz it; ":~~ai~if':~i"~:f[

Sing the great Redeemer's love, Sing the great Redeemer's love, Sing the great Redeemer's love. Men on earth and faints above,

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Ode, Continued.

Forte..

bove,

Sing the great Redeemer's lore

I^orJ, thy m^rcks ner

fp

■ the great Rtc'-erricrs love. !o e. Lord, thy turcica never tail,

P'.a.

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Hall, ' 11. cekC lil, hail, celeftUl goodneik, hm!.

i** Tho' ua - wtar - trn-, Lord, tliine t-ar Our bumble ha]

Ode. Contiuued. 91

-*S-3-53]

When with faints we ftand and fing.

)u - jahs

±1

hear, Purer praife we hope to bring,

(.tenor and Bafs. Piano Moderate

_ ,««__^ < ...

Lead us to that blifsful ftate, Where thou reign 'ft fupremely great, Look with pity from thy throne, And fend thy ho - Iy Spirit down.

Tenor and Bafs. When on earth ordain'd to fby, Guide our footfteps in thy way, 'Till we come to rcigu with thee, And all thy glorious greatnefs fee.

92 Ode. Continued.

Chorus Forte. FoiTJCimo.

i> 1 p m-^ 1 1 I IT — E-I- 1 — F-5Epi3

*vc'U again, Wake a louder, louder Arain, W.kc a louder, ler lb kin.

Pia,

Torte.

There in joyful fong* of praife, We'll our gr.-.teful voices raife, There no tongue lhall Pent be;

^S^^fe^S

~E||g|F

Ode. Continued.

Forre.

93

* x-oric.

here all fhall join fweet har - mo - ny; That through heav'ns all fpacious round, Thy praifc O God may ever found.

There all fhall ioin fweet har - mo - nv ; That through heav'ns all fpacious round, Thy nraifc O God may ever fc

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Concord. S. M.

Words by Dr. Watts.

sxp zpzbipztztbztitzpzjzzz tzzriLipLrpptTZz zzptiizbzz zzzzztjzzbzph iz zztz pizriLZ^ztjztz: ezTi

The hill of Zion yields A thoufand facred fwects, Before we reach the keav'nly fields, Lefore we reach the heav'nly fields, Or walk the golden ftreets. .

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Before we reach the heav'ulv fields, Before, &c.

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spe

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94 Invitation* L. M. w<mht>j Dr.*

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KIMBALL.

Conic, my be - lov - ed, hafte away, Cut lliort the hours of thy delay, Fly like 1

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t the hours of thy ckl.iv. Fly like a youthi..- hart cr roc, Orcr the

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flv like a

youthful

where fpires /— x riy like a youthful k

Flv like a youthful hart or roe, Over ;(u hils w _ 05 *_ _ J_ ■ -" ^

95

a:

Invitation. Continued.

roc.O s~ v V£r '^*e hills, &c.

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■ roe, O - vcr the hilis where fpiA.es grow, Over the hilts where fpi - ces grom-J

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youthful, &c

grow,- Fly like a youthful, &c. O - ver, &c.

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grow, Fly like a, &«. ^ s*

Medina. S. M. Words by Dr. Watts.

^illiiljl=iilliili?|E

96

Moderato.

Kingjlon. CM. Words by Dr. Watts.

KIMBALL.

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i —

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inizzrszzffzzjE. :=EEfc=E

IUi 3 *?

:-f zzj: z: :*zf:zf ftzizz*—

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Infiiiite grief! a - mazing woe I Behold my bleeding Lord! Kell ar.ct thi- Jews con-

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tile Roman fword. Oil the fharp pangs of fmarting pain. My dear Re-

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v St, Sehaftian. CM. Words by Dr. Watts. Union Harmony.

n

5aa

Come fiicd abroad a Saviour's,

And that fiiali kindle ours.

[Come, holy Spirit, litav'nly Dove, With all thy quick'ning powers, Come flied abroad a Saviour's lo^e,

Conve flicd abroad/i Saviour's love,

N

n8 Dedicatory Poem. wonis by Lov«t.

e^o^bessq^^

j_j,.

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With joyful hearts an J tuneful Cong, Let us approach the mighty Lord, With joyful hearts and tuneful fong; Let us approach the mighty Lord, Proclaim hi*

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And boi

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Poem. Continued. 99

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Jnatute's realms confpire, To celebrate his matchlefs love. The heav'n of heavens i« his bright throne, And cherubs wait his high beheft, Yet for the merits of his

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jSon, .He vifits men in humble duft.

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temples facred

to his name, His faints aflisnble round his

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too

Poem. Continued.

Mori.

Vivace.

-_ J.

iEE^|^^^=i^^gggpgEJ

board, Rii-i'c t.l.c.:r hofannas

the Lamb, And talle the

fjp - per of the Lord.

O God our king, this

P

joyful day, We dedicate this houfc to rhec, litre would we meet to fing and pray, And learn hcv ftreet rfiy dwellings be.

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Baft Solo. Mod.

Pbent. t Continued*

103

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O kirtg of faints, O triun'cl God, Bour the high heav'ns and lend thine ear, O mike this houfe thy fk'd abode, And let the heav'nly Dove reft here.

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O make this houfe thy fix'd abode, And let the heavenly Dove reft here.

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Tenor and Treble. Mod.

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Within thefe walls rnr.y Jefus'

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charms Allure

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tea thoufand fouls to love, And ail fup-

102

Poem. Continued.

EepiiiiiiiiEiggiiii^

potted by I. is aim, iiliiiie bright in realms of Llifs, is realms of bli& above. There laisti of every :ribc and tongue, Shall joic rh_ asmu tol the L:ir.ih,

pi --• htf- j - I -=4~^— j_-4-= i h r f i r r iff if f irm f u i^tffpl

I

mn hallelujahs, ^ P

Hymn hallelujah*, Hyi

L- | --f-=-4_. | „> | . | - 1 ■„.■ |T^_-4- |r^DfT|jrpp^^EBBI

Hymn hnUclujahs, Hymn hallelujahs, Hymn hallelujahs to the Son, Hymn hallclujr.bs to the

Hymn hallelujah™

Hyns hallcliuaiu, to the Soa,

Poem;. Continued;

Piar;

Porf.: Adagio,

— « [— •** {- — "■ ( mi— ' ei wb- ~~F"~"j

sigpfeg

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Son, The Spirit and- the great I AM; Their fongs ferapliic Ihall they raife, And Gabriel's iyre the note? rcfound, Their ibngs hraphic fhall they

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'raife, And Gabriel's lyre tha notes refound, And Gabriel's lyre the notes rtfound ; Heaven's full ton d crgJn join the praife, And

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104

Doxologr.

Poem. Continued.

__ 14-

dff*

' to world rtpeat ,thc found, Ar-d world to world repeat the lo.i.-.d, And world tf» world repeat the fouwL I j Bather, Son, and Holy Ghoit.Be ccafclcfs

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to

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praifc and glory giv'n, By all the high angelic hoft, By all on earth and all in hcav'^, Hallelujah, hallelujah, .hallelujah, hallelujah, amen.

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Brandywinc. P. M. words An«n,

ROGERSON. 10;

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Moil triumphant, greatly glorious, He from death and lie!l arofe, In him all his church vicarious Triumph'd o'er their

Forte. Spirituofo

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Pia.

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dreadful foes.

Hallelujah,

Hallelujah,

Hallelujah,

lory., 'glory, Lord, be thine.

Hal - !e - h* - jah,

ilililii^l|l|lpl§lilSiliiiSillill»

io6

Funeral Anthem,

Pia. Mod.

From Job 14th, and from Dr. Dwight's Seafons, moralised.

Union Harmont,

Repeat. I

woman, is of few Hja and : D of trouble.

is bora of a woman,

r.d Treble.

j He comcth forth lii Sower, and is cut down; he fleeth rlio as a (baddw, and contmiu:h Bot.

Bafs Mo.

fea, And the flood

A3 waters

fail f- am the

decayeth

and dricth up

—

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:qzziz

: Anthem. Continued.

107

— O.

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s»

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man neai

down and rifeth not : "I*:ll the

heavens be no mere, they fnall not awake,

they mall not awake,

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they

Pia. Med.

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nor be raifed out of their fleep. But the foul in g tyeft bloom, Difdaina the bondage of the

tomb, Af-

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n. —

io8 Anthem. Continued.

ktp. For.

ligigliiiiiiiiiiiiiiiiEiiiiigi

ccnidfl above the cloaca of even, Ami rantur'd hails, And laptur'd h.ti!s her native heaven.

Hundred and Nineteenth Pfalm. C. M. w«j« by pr. vrno. Union Harhony.

j§bEZ^I^£pS^E^EH^&

i.l ii; s i leaving to the dull.

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Coronation. C. M

Words by the Rev. Mr. Medley, Un ION HARMONY. 10 Q

Ph.

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All hail the pow'r ' of J'.fus' name, Let angels proftrate fall," Bring forth the royal

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J crown him Lord cf1 all, Bring forth the royal

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di - adem, And crown him

Lord of all.

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i 10

SACCHINI.

Italy. L. M. Words by Dr. Watts.

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PIPE

Let him embrace icy fipul, aud prove Mine int'retl in his heav'n'.y love ; The voice which tells m; thou art

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Spirit' came, And fpreads the favor

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of the vine. On thee th' anointed

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Italy. Continued.

r>,

ail of gladnefs and of grace, Draws- virgin fouls to meet thy face, Draws virgin , .fouls to

meet thy &cc.

Macedonia, CM.

Words by Dr. Watts,

Union Harmony.

41 4*f ^'a' Cres.

— *-

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Not ft om the daft: afflictions grow, Nor troubles rife by chance, But we :;re bom to cares and woe : A f#d wiltt'rltjSiiee,

Af;

iiilieritance,

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Confidence L. M. Vv'ords by Alleine.

Union Harmon r.

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In

Mr.

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Now can my foul in Cod rejoice, I fed rr.y Saviour's cheering voice, My heart awakes to trig his praifc, And longs to join immortal layi. Hold me, O

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- ■ i- — _■ i; ■ — zz^i_ -ljupd' — f~^Wj»"T~f~F'' ~m — ~?"F

Jcfus.in thine arm:, Ax J -.hcer rr.e with immortal charms, 'Till I awake in realms above, Forever to enjoy thy love, Till I awake in realm* aborc, Forever to erioy thy love.

L^jfifsiiiigiiigi^iiiiiiiiig^fei

--

Union Harmony. 11,3

HolliS . CM. Words by Dr. Watt?,

ft » «* ~^ A "" ■ z--^" — v When thou, &c. *

4=

Mv foul, ccme meditate the da»--, And think how near :t fbnds

z£&zz imzzMpzhztzxzzjz^

When, &c.

Bi3

Jz^zdzzSzi

When thou muft quit this noui'e of clay, And

When thou mull quit, &c.

And fiy to xinknovva

|Z2-3_2_e_4Z_dzz( — ^_a_3_3zp_q:__| — -pz{z:jzpzp_qz-Z_j_zjzj i-a_:[:zg„d-:j:-.^-gz:|:|.2^_i|:|Ji__

f^ff^S - - ; ^»-^^.-^-^

r~\

mi

■ *-T — F— izjzz: :zpzKlzLZ^zaz:^z^zt-I^^ip^-Szwz3i:Kzz33T:zz

When fhou muft quit this houie of clay, and

Ty"

to unknown lands.

lliiiiiiSgilegliii^lllllll^

flv to unknown lands.

zzzzzl^zzz:iz^zzt?zl:^^z£rr3^

^e \~-

-t"

iar.'jt.

~ott . pfffrrm^

.„ — 4__-)._:

zJJzzzz

ii4

Union Harm

Canton. CM. words iy Dr. v.

_ *._a_ T-A_#. — ,Ji_a _p_p ^. — g — *_** __g — T__._».._«._ — — — c. — e — p» «

How did my ht.irt rejoice to hrar My friends devoutly

liTf i r r s^^

!§E3=5ZFE J=: ^Efc_

I r- — I — r- — P— -*-— I 1 «»J -1 ^—3 ^ tow. i»«a'— — i— ' ['■ f.J

"~~ C"

Up to his cvuns with joys unknown, The Itoly tribes repair,

kctp the folcmni day.

Up to his courts wi:h joys unknown, The holy tribes repair, I he

+-*■ *— FPf =r fr IP .-r-n

»' ■■ ™ I ' i't_ •- i . • _..'... .. '.u .._1 TL. L..1. ' :l ..

Up

.ft "Pfr •

to his courts with i..vs unknown, Tbe

holy tribes repair.

zhzEEizdzp: ft 35 EqBpf :~ tzEEtz3z:j::=&:=ifc: z"zz:3zz:: : j 1 - j-- ~

Up to his courts with j'>)? unknown, Tbe holy tubes re pair,

zw.zwzw.~rt

Canton. Continued.

-=~t-P--£-*-=--t-is

115

E&^z^szlzg^

fon of David holds his throne, And fit* for judgraeat there, The fon of David holds his throae, And fits for judgment there.

Lord'S Day. Words by Dr. Watts.

Union Harmony.

Vivace.

! fckr?zt3=t:t:p3£Zizpd_rz: :Epz=3z|3ziiE: z3tz J jza£zz~zz:j:zz =zzS£ zhrh:i:t±:t£

Air. Mod.

:±gzSz±-a— T-ti

Let us rejoice,

-±z-Z-z^z-j±zfz^izzzdz'z±-^z^z:±zdzzf:z±zz:zz-i Jzsfc— :jJ^±fc2r ~

— I d ■ I * -- 1

:zt-"fzipr:

This is the glorious day That our fc.e8eemer

:±z

made ;

Let us rejoice znl fir.r; and pray, Let

P-P- + -T 0 tZZ?-'

z^3^5i^S^Sz^rSzz^^^3HxzJlr$t . zzzzLZiczzz^tzfczEzi..

* Let us rcjov:e, I "

n6

m

KoJ.

:EEESE=E=)£±=Ed

-**-**-£»-

Zcr^i Ztajy. Continued.

rnzff r k ^ i ^ rr r i Fr r n t r [. el

-+ — *--#-

tm

nm\\.\\ p j j j i ff r i > r ' f Trn-^wrmrt%

' all the church bt glad.

Hofanoa

to the Kir.g Cf Bavid'a royal blood ;

Elcfs him, yc faints, he

r>

W^ZZ

=£il§£

-I h-

r r7! ' f TT f- 1 f-pJ Jl p r H* r rr LpI

fc=£:

iii^i^iiilii

ff fP 1 f T I f r p -, I JH- 1» f r 1 r>f 4 ft "IT* f I r _■■ T I ffH— FHr3 |.D I \ ull»L Ct1 M-U-L If U 1 1 1 .U -|>iL£f>ll 1 I MP-

im, ye faints, he comes to bring, Salvation from your God.

■fi-g. jl± d?;-^_ -f z_ _

=rzzRz^z^r3zz^Frfzznn1^

-p-t^tr--

"Onion Harmony,

11'7"

Treaflire. C. MV n?th Pfalm, 5tfi part; 3d & 4th verges.

How doth thy word my heart engage? Kow well employ my t»i»gue ! And in rr.ytirefome pilgrimage, Yields mean heav'nly forg. Am I a ftranger, or at

-*r

se§_

£

fc&-

~m*

4-

W „", __ gfc _ _____ „__M__ . ____ ..^ O (..WWCa*^^

_J2 *. , J5L _D __fL- ' |BljlJ_ _& , ^ •

home, Tis roy perpetual feaft, Not honey dropping from the comb, So much allures »he tafte, So much allur

rr>

the tafte.

:rizs::

Union Harmony.

'Pared: 'fe. L. M. ttom hy br.wa»«

leiliiiiiiiliiiigiiiiiiiiii^iiiiii

.us

\ — -1 — *

fp^FPFfF7~fTTf~fTr f> if rTfT^F^i ■ - fir f^Fl

>':w to the fhining rca'.ms above, I . fbrctch my hands aud glizct my eyes,

O for the pinions

!|rieE^pi=|^=g||

juj .ffrf FQjLiLr p >«

-1—1

r**^ i8i\^'.^- ■ l . 1 ,., ?f y 1 1 _ . 1 . , y 1 ^y w^ . ■. 1 8 3 — - ■ ■■ ■ 1 ■ I I 1 ' _ l ■■ I * ^-* _. — ^r I w^ __!

» ~ J_ f_ X, 2 L EI C 1 "|_ T ¥ g J_ X ' J - ' t__JL_.-_ Q— X f "#

-P P ■T"f

pgE|||g||||p?|§

of a dove, To bear me to the

lip [Hi

ikies.

'I here from the bofom of my God, Oceans of

^^^^^^^^^^^^^^^^S^^^^^^^^^^^^^^

-

-ft.--

Paradlfc. Continued,-

zzzxic:

rrg

Es:=±z>z±z:3=>=J=&^-:^:€zF±z3z:3z:S:zIzg— azh=±

j_p__p_.p_-i — i-uiwCJh — 5 — Ch — F c_j._p._p_., — | — 1_

E

;a________i___z

— c— j — c~- p-- - T— — g -p— -y— y- — -p- — ;_»--— p— -j — pg- — 1«— -fg- — y — ; — z^:z~^p- ~~r~~zi — rz Tzrp — ztzz-^zz-rtzzz

-©

_:£z:jz_--

endlefs pleafures roll, -here would I' fix my !.__■• abode, And drown the forrovs of my

f d_J

_____ "

P=T=

Maryland: L. M.

Words bv Dr. Watts.

Union Harmony.

3f__~____2_E_^^

§____rz5_c£___^

^ My foul thy great Cre a tor praii ., \\ aen cloth d 12 r.;s ce-

My

great Cre

±zEzzzL

OTzez^zsz

zf^zfzztzE: _t:rz_tBWjz_.t_

43

§zZ+;z:^:|-Zzezz-f:z:Tzrzfzt:ztzJ

^IIP^^

e__t_|_:___F:fc:_p__a_^ S_Er____________^^

rays., He in full majef - ty appears, And lik.® a robe his _('.'0r)' wer.r_.

robe his _f.'0r)' wear*.

P -; — z"I"zz~zze — zzz_rii__zz_riz~z__z__:~z_; ~~y — -~~z"t~ ~z__t-&z_s z_*^~T~^z__zl_zzz"_izi — z~izc>z_r"

f:_______£___=zS

120'

Union Harmony.

'Tranjitioil. CM. Words by Dr. Watts.

— *

! -s— *-

When God ;c.'.a.d his ^gracious .name, And changld my

tiournful

ftatc,

p-rg7-f.pi, .iio-Tr^TTTr

My

~Ny rapture feewaa

1 > ;- 1 T-l J' j I > Pr^l'Tr f Ft T r'r'/ I! LfTfr I f J » jfrflr

ft , „ ^i. *-*-i-*iEpuD> IT 1, If.;! ,1 ,OZP=J- rf r.PrT-jLr-J l-gLlfe

Jbiy rapture ictm'd^ pkafir.g dream, a p'e;ii"mg dream,

I

Mv rapture ieem'd 3. -pleailnp dream, My capture ieem'd a j>leafing dream, The grace appear'd fo gn t.

TOinrilinf jm tHJ im7 r^rrr i-f r rr^

1

rapture fcrm'J My rapture

-T^_r.

rff^frrfl.-*1=PtTnTTflfjffllfr l-lt-

pjeatii'j dream, The grace appear't] ip great.

Ordination Anthem, 'Words from ftndry Scripfarec. BELCHER— -ORIGINAL. 3 21

^ s. s s This day a - rife, arife

HaiH hail! hail thou King of faints,

#~:£Zzfe£E

This <ia

y ari.p,

H — 1 — insr--* — »- ' r-gj ' "H ^rWwW — ^WaaW— Baoi■B««8|-, > — L-' '—I '

This^-day anfe, a - * - - rife,

and dwell among thy people,

This i ay a - rife, a - rife,

5zz§rzfzz-E± fe^S

Thou, &c.

s r — <z» w — {- ' — «■ ,"4, -j «a —

Let thy faints, O Lord, T>e clothed -with right coufaefs,

-T- — '•*-•?— -j- »— - r~~ «"_T — '• — i" — ~ ~~ia — ■•— — j~— ^—~

e sa — -f- — *» — j at- \ ~ - — ■

ES: 3 t-Jz-H QiriizSzj :[z:!*zj pE rife ; :r-:| zz:; zzizz -zz:zz tzz^ztzz^ z: tz?:±z«ztzz: zzzzizz

Thou and the ark of thy ftrength, thou and the ark of thy ftrength, f~\

zzzzzrzzzzizz::Tp:2:ziP;*:gT:^-: TTT^Tr^qrsr^^^

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ct

Let thy faints, O Lord, be clothed wi;h righteoufneis,

12*2

Anthem. Continued.

Let them fir.e, k thim ^n^ with icy - ftilacfs,

Ar.d Jtt thy fiir.ls ling, Let thtm fing with

JMfiplPp

joy - /ul, joyiulntfs. But will God indeed dwell en earth J Behokl the

Anthem. -Com muecL

ill TreWe.

1:2 3

•- i "S-'r-

ligi

For 'the Luril hath chofen d Treble.

i au x (cine.

— is. pptEpt=-pipr_±t-p.p£ :tp:p_LZtp — jJE-rvk-t-- -P-B-5:X.FL.i_t_|_ .p_ U±._ p_fc£i-p:p..±

give, For thy fervant David's fake, turn not away, turn not away, 7 urn not away the prefence otrliint anointed. **

^^"1* 1 iT ' f JT j- J irrTT^"T~Tl^'TTQr'^l?ry"ir"I — ~~~"5~9~Z~7Fi iT~"T~r"f~~~ \~flr~~~T"~'~~^~

i-Q-ii ip:p ip-zxxzp.pxp — iL_.p_:?xti — jj-.|_ ^n:p.^^.^.^;r:-L__c:—i_r_--- [ * 1 ?z

I _©. _Q — <! Zion, the

I _ _ . . I I" St m 0 I I 1 ^cJ

tx±±ti5±E:z: z±Ezz:o^±:z:f xcz£:£z::zc:zztx±:b: t nfz

.^ii^lxtmiBzi^ig

*==-P±P= iiSizSqtM=fc

85SB

t2:==pi:EEkt^Eir::x::S^|d

Lord hath chofen

o be a habitation, to be a h:.bk- ation f^r hirafelf, ||

-. * £j ' ' ~~" giThis I a v rdtloirvcr,

a-J ^ -H is — ^ x_fi^s — ii.^x._-1|_^_fi.j l__xj J- j .| ;_r p |zi[ — ^X-CZz — j

to be a habitation, to be a -habit - r. - tion, to be a habitation, For kunft-LC g! e^

—I— izzzzzzzziz:zzzz:T:3"zzzz;Tzi^7Z^

124

rrcMe Soh>.

Anthem. Continued. fcHzB+zr^ziz^

I will ouk htr ptic -

j^[^-44-=f^4-^-4-r:-H-f4 1 [ M r I' I ■! ^=7-V-^1-T:f-p-.l-f-^ I M I

l torcvLi; ikk ffiaJl, &C. llcrc will I dwell, its with my f,.lv;nj in, I will

l'his fii.\!l be my rclt forevtr,

tltik bet \ ikfts

B.-vfs.voto.

with my fal-

|p|IPi=giiglplliiiiIil=piiiPi^lli|a

•»* )** vationr I will dick her prie •

Oov.r.ter Solo.

^fls with my falva - lion, I will dtck her- pr.dls ,

}:zzE3 £pzHzpz?zlz?zE :^Et±:H:c:.:::^S:irf:fe::L^F "a..e - I**'" * ^Z>«i«*««

*- v. ith my Jatyation, .A;.i5 her faints lhall re - joice,

fhaii re

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*q — i.p_._.zi fipppp

r (• ■■_

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jOKC] And licx faints fhall re - jolce, ihail rejoice and lWig.

fpg^fep

AktfienK Continued. 125'

_l__t__.

EPEzzSEgEEp

5E?=E^izSE3iEPE^^

jizrzzzEkr^^-P^^

God omiupotenc

_ n_>a i_ __» .J _ _

'T « _! 1 ~ ] ~1 1 ~ ~j n~p . /-%

1 ^ ■ -, — -i-Z-— »-^_

rei?ntth.

Cry out ami fhcu! thou inhabitant

of Zion, fliout :|j; :jjt thou lahabftadt cf

ilz#lzi^^

-p_p_Z__ L_p_.i — ._uZI_ — ^-.CZ] — 3ZJ — L*-£— ! H — I — b-i-!--h— F: p-f-r-- — f--:-- 4---- -~<9"H — S-hH r"

i:

w<»-

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Zion, for tjreit is the ho?y One of IfratJ, for peat is the holy

z£z±zifc^z±::dzi:z£-£z:

E±zfz"«Ee=|Eizzz:Fz|^z5zEfezMEi

„x_u ui_, — r

\* 5? U> &

\\: :jj: Or.e of Ifrael in the mi if; cf thee.

>$:_, ^_i

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--xiuzezzzz"-

I

1 26 Anthem. Continued.

Hil'.!:-

Haliclujah, Haliciujah, for the Lord

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rogneCh,

!

. M . , ,rri-ppq]rf~[>7'r^

Haliciujah, for the Lord Go"d omnipotent rognt

1 1 .!1< !u;ah

Hrl.Vhiuh, pru'e the Lord, itflWlljati, :(|: :;;:

: zzzzq z^zz:rz§.l:?z:i:zz r z:iz&zszzzz:zzzt:^2:z:zzz:t:sz&:z: zzzztim: ^zfgEpfcizzl^f gJEJLj ; >>. fzgzgzzez^|g ^rFff£

fbfcjzzfc

^ ^Hafitlujah Adagio.

z3

1

azfcf:

ill

r=xr

:£

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Topffiam. C. MV Won* by Dr. Watts

BELCHER— Original. 127

^ — ^ l** J5T Who can refill thy heav'nly love,

Deareft cf- all tKcnames above, my Jefus and my< Qodj

fcg^r£j=gpzjz^^

g^g|^;|g^^g±^z

fc

rzz=3ES^ffi^

Who can refill thy

-p-grr T-arr-?- — «■-£■

\\ Ko can trfift tiiv

E

:z:ez

heav'nly

— v 00 v fft \\ no can rrlnc tny Beav illy.

Who ■:;in rcGft thy heav'niy love, Who can, &c. ' ^f-f-p-a-r— r-^-r^-p— f-r— t O -p*- -fr^l spr ■ ?T

zptJzpp j[: zqz r i r ' : :ppzg-tg-j — ~tz — ;gz~. — £ 1

who can refill thy heav'nly

Who caa, &c.

ziij*

trifle v/ith thy blood.

hcav'nly lovej

hcav'nly

.T_4 _j_.

love, Who can t«Iift tby heav'nly

fe?piliillEEEyFl=|F=F^l:ii?|;l=l

i ho can z«.1(t thy heav nly l\>ve*

liE

128 Pittflon. C. M. Word* by Dr. Watts. BELCHER— OrIGIHAI

-* vi /i._n i i v . i:-..j i.:,.k xi /i.„ii «^ j

Now fhall roy head be .liked

N&wfliall my head he lifted high, Now fh all

Now fhall roy

lifted

•?r^:r:rz

E^i=cES

Now fhall mv ii< ad be lifted high, No» (hall my head be .lifted, lifted high,

high, Above my foes a-

-tar'

Now {hall my head bt

high, Nfi» fhall my head bi uncu, .;.._u

u2i:::z:ifijq[:-:r:Q--=1:T^^:T=a^:T:&

1,'ow fhr.ll my head be luted ^t-i'1' ^"ow f'idil my head be li.'fNi L ,gh,

And fann, &f. _ <- ., /- ^s

> ' And fon£-> of joy and vidtory JVitbia thy temples iV.iud, found, kuoi.

c

NetV Canaan, P.M. Words t>y Dr. Watts, Union Harmony. 129

— :p::dz:£zp:zr:T:pz:~:izz:pzzzz£zz: i^^rfzzffizizjEze^z^rr^zzSz^iT^tizftz^pzizzq 3 p: |±=Ezt=t:^p=:E:|==^=z=zh==|zE=t|EEzztz|= zzjiz zz^z Jz=zzzzz:zz|zHz:z|zftr:izq

The Lord Jehovah reigns, And royal ftate maintains ; His head with awful """ " "i- ' I — ~~ ~ — * r~~*~l~*~ *" ■■■>a«—|— -T*— — r~~-H — r— -\ — I — — — — '■ ' ' #

glories crown'd : Ar«

> #» LJ _ -| '|J« Q I •_

_ — — * z

Array'd

ffi£&

d^rfpr, $i

Array'd in robes

~^mummm^jE£=i=m^imi

And rays of

majefty around.

s i_

ti..° 1 \ £jMg=n"T- Lfflxjjxkijs^illll

ht

■tfay'd in robes of light,

Begirt with fovereign might,

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, Array i in robes of light,

R

Begirt with fovereign might,

J >:Q dOUCltlUie. 1. -U. Words tro-n R:ppon's C..iJ. UNION HaRMOM1

Vc-I. ) | _, e* ,

(j E53fi :# :^fff=^S^f^friP9mi 1 1 J 1J f^rrf iNr* 1 J J I J-Jf^Tl * s1 \\

on FIarmony:-

■-*1 M i

SE£|!H-3-H-=ffiEra!=Effi

BEEfflEffi

• ■ • . Ye prcVd w:ih ftrong ckfirc, The v.ond'rous fi^ht to fee, The I.orJ of life expire. And could your eyes Have known a tear

— -j— x--i — » — »■

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-i ■+-"-*■ -*1 J t t "' 1 P* — ' ^""^ — ' 1 ^ "«" 1 I f~~ - — ,_i

)-'(-- *-

Union Harmon*. 1 cj-I

VerOTia. P. M. Words by Dr. Watts

^EEfcgE ::f" f ~rT- f " ~3 v£z- izf z^z^zHzsz5z?z^ziz^zt: zzEz2zx>zEzf z&:±zi:f zlzzi^zzz ^±:zz.zs:i:£:z£z:?zz£ziz^z:£ziz£z£^

.Lord of the worlds above, How pleafant and how fair, The dwellings of thy love, Thine earthly temples are. To

-I 1'

zJi'?zizz:tzzczzz:Z!ZZ!zi:zEzzdz' -5: jL.!zg:i_ ^__^__i_^_i_p_ zg _.

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:zzz:^z±z'czf~ rtz^iiz^zzz^izzzEzuzriiZLZitzizzzzzEzzzlztz izz

To thine abode My Jo thine abode, To thine abode, &c.

— f» — T~ft"~r — --fr-T^»-a.--^--p.--p-p---a--p--»-T-p^--g--y -g v^ZZZZl^ZZc,.

-JLl

it

Hi

To thine .abode IiTy heart afpires, With warm defires To fee rr.y God.

*Jz:

thine abode My heart afpires,

^Eii!gpE=|$=l=^

"zizzzzztz^izzz:

— g- ■ b-% 0-

heart afpires, To thine abode, &c.

132 Tfiankfgiving Allthem, Words from fundry Scripture*.

Tenor Solo. ^ .

< 75I-*"q" 1 -I -l-id"~T-J— fT-ri-T-l—nT-.T — Itj T^AT*r*<-?r*T-*r^"ZT n~

Original.

1

1 will praife thee, I will praife thee, OLord my Cod, With all my heart, 1 will glorify thy name, I will glorify thy name forever and ever.

CHORUS.

— #-~ —

< ^__ j» J^ 1 .. W* ^ * ^_ A. 2 — . . _^. j p ^^

_, r ^ [

glorify thy name for - cv - er and ever.

g^X-Efc^ f 1 1 r

TT

~t=H

IlliH

I will ^l«rify thy name, I will

■trtr

g

=*=*=b=fc=b=fc§=

Trefcle Solo. ■*-7V— t— h

2§~£r:^:H:Et±^

X.ftjt tie CBeruT*

I will fing, 1 will fing a new fong unto thee, O my God; I will praife thee in the congregation of the faints.

BaG, Solo.

I

-£*-

l will love thee, I will love thee, O Lord my ftrcngth, I will lift up mine eyes unto the hills, fro» wheacc coaKth my help.

Anthem. Continued.

Il-*T-*

Grave.

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For the Lord mod high is terrible, is terrible,- For the Lord moft high is terrible, He is a great King over all the earth. Sing

Vivace.

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34 Anthem. Continued.

[praife. Sing praife upon the harp unto pur God. mabeth paiuc< ia thy bc-rdcrs, be r.-.-iketh p

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Anthem. Continued.'

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Talk, ye of all

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holy

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i 30 Anthem, Continued.

„, -•■ For. _, Pu. Cre«. r»r. /^—

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Hallelujah,

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Crei.

iiipotent reigneth,

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lor the Lord God omnipotent reigneth, Hallelujah,

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Air. Moilerata.

A DlTFC. Coir.pofcd on the Death of a young Lady in Bofton. Words felcfl-ed. 'ORIGINAL. 137

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Hark! file bids all her friends adien. Some a.r.gcl rails her to the fphercs, Our cyt the radiant faint pur-

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And is the lovely, lovejy fliadow

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And is the lovely, 'lovely fliadow fled ?

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' 1^8 Dure, Continued.

' _ _ - _ . _#». _ _ _ - ' - — -^=w<— I — > „„,.

the Moaning wo,nkr of her years So £w>n enihrin'd among- the dead,

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uvcly fhudow fled?

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" fied ?

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. chirrs cur pious t'ais-.

Farewell, bright foul, a fhort farewell, Till we fLall meet, Till we fhall meet a-

Farewell, bright foul,

O P #■ r^-

Dirge. Continued.

Dirge. Continued. 139

gain abevc, In tbe fweet

groves _~--where pleafures dwjll, And trees oflifs bear fruits of love, And trees ef life, And trees of life: bear fruits of love.

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-PrOvidcnCC. P. M. Words Anon.

LAKE.

Time flies, Man dies; .Eternity at hand ; What's beft, My reft, Is in Immanuel's land, My reft, Is in Immanud's land.

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Words by Dr. Watts.

Mojcrcta.

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This life's a

dream an

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O £lorioub hour, O blcft abode, I fhall be near and

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^Jr c*. Contraft. Continued! 14 1;

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Contrition. S. ML Words from Dr. Watta's Lyric Poems, UNION Harmony.

Andfent thy Spirit griev'd away i 2

Lord, I'm aarram'd to fay That I refus'd thy Dove, To his

And fent thy Spirit griev'd away

i

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And-ftut thy Spirit griev'd a - w>y:

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'FJfeX. L. M. Words by Dn Watts.

• Origi:

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vorlhip at I.TimanutT;

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1

feet, .V: ;ia his . face what wosdera mcri, Earth is too

m?

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narrow t > cxprcfi His worth, his glory,

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or his grace, IT.b «orth, his Rl<>T.

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or hij grace.

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A

I N

D

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X»

x\mherst;	P. M,	%i	Funeral Hymn,	C. M,
Anapolis,	C. M.	33
Africa,	C. M.	62	Greenwich,	L. M,
Amsterdam,	P.M.	7°	Greenfield, •	P.-M.
Branford,	CM,	18	Hotham,	P. M,
Bethlehem,	C. M.	24	Habakkuk,	L. M.
Bangor,	C. M,	*7	Hollis,	c m;
Briftol,	.UM.	58
Britannia, -	CM,	30	Italy,	L, M.
Berkeley,	CM,	88	Immanucl,	C M,
Brandywine? -	P.MJ	105	Irifh, Invitation,	C M. L. M,
Contrafr,	K M,	140
Cornwall,	C M.	12	Jordan,	C M,
Coronation,	C. M.	SO9	Judgment, '	P.M.
Chefter,	L M.	25
Colchefttr,	CM.	27	Kittery,	C M,
Calvary,	C M,	31	Kingfton, ■	C M.
Charlefton,-	C M.	3*
Concord,	S. M.	93	Lenox,	P.-M.
Canton,	CM,	114	Lebanon,-	C M.
Contrition,	S. M.	141	Little Marlboro',	S.-M.
Confidence,	L. M,	212	Lifbon, Leverettftreet,	S. M. C. M.
Dedicatory Poem,	L. M-	98	Lord's Day,	S. M,
Derby,	P, M.	18
Doomfday,	S. M.	21	Macclonia,'	C. M.
Dunftao,	L. M.	68	Medina,	S. M.
Denmark, ■	L.M.	76	Mancheftrr, Maryland,	L. M. S. M.
E">*,	L.M.	142	Milloid,	C. M.
fcatieid,	C. M,	54	Montague,	L, M,

79

33 34

«5 86

1*3

no

29 94

is

55

lo 96

38 4i 47 62 84 «*5

in 9S

36

39

42

5-

Mortality, ■ Maryland,

New Canaan, New Concord, Newport, Naples, Norwich, Newton, '

Old Hundred*' Ocean,

do. do.' da- do, do-

3d Pfalm,

34 th do,

1 }6th

46th

2jth •

98th

119th

Paris,

Poland,

Paradife, 1

Pittfton,

Participation,

Providence,

RufTra, Rainbow, •

St. Hellen's, St. Michael's,

L. M,' L. M.

P. M. C M. L. M.

L. M. S.'M, S. M.

L. M, C: M. -

CM.- C. M. P. M. P. M.

S. M. C M. - CM. hi M. C M. ' L.M. C M, C M. P.M.

L. M '

CM.

P.M. P.M.

53 J19

17 26

37

49 56

67' 69

40 43 58 59 «3 65

108 5i 67

Si8

128 11

139

56 64

41 48

St. Sebafta'an, Stafford,

Suffolk,

Sherburne,

Suffield,

Solicitude,

Saratoga,

Treaf:!re,

Tranfition,

Topfhanv,

Virginia,'

Vidtory,

Verona,

Worcefter,

Walpole,

Windham,

Wells,

Winter,

Worcefter New,

C M.

a m.

L. M.

CM. C M.' P. M. CM.

CM. C M. C M.

C. M,

CM. P.M.

CM, Ci M

L. M. L.' M. C M. L. M.

67"

SO 51 60 66

66

"7 j 20 127

49 61

44 46 '3 '■ 6 3 *3

ANTHEMS.

Grateful notes of number? bring. $s<j Hark! (he bids all her friends adieu. 137

Hail thou king of Saints. 121

I will praife thee, O Lord. 133

Man that is born of a woman, 106

The Lord is nfrn indeed. • 80

Vital fp; rk of heavenly flame, 71 With joyful hearts, &e,

*

I rSIC \L PUBLICATIONS, tnntcd by THOMAS and ANDREWS,/^ the Ufe ISGHOOLS, £

IN (J SOCIETIES, and Composers of Music, viz.

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■ * I s ic*f.0 n««« • >" »«■» **■ v<i1 >■ rom:,ini t,,c ^udi?eS,„02^ "

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The ?'>ovc valuable work has met with great encouragement, a fcoond Edi- 1

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, fuitablc fir School*, and lyof thoic in the D..

The CONTINENTAL HARMOl

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Never before publithed. Mitfc huh.

R of THEORET- ICAL MUSIC. T<

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	V	//••<j
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